David Tomas Martinez has been published in Poetry International, Drunken Boat, Caldera Review, and Forklift, Ohio, and has been a featured poet in Border Voices and NBC Latino. He is a PhD candidate in the University of Houston's Creative Writing Program in Poetry. Martinez is also the Reviews and Interviews Editor for Gulf Coast and a CantoMundo Fellow.
"David Martinez is like an algebra problem invented by America — he's polynomial, and fractioned, full of identity variables and unsolved narrative coefficients. How does it all go together? And what does it add up to? The speaker in Hustle roams the kingdoms of experience, from stealing cars to explaining post-colonialism to his Mexican grandfather, from celebrating sex to wondering about the crippling mixture of strength and weakness in the men around him. Martinez's poetic voice sings story, talks wisdom, and verbally switches between the sophistications of the academy and those of slang. Out of these trespassings and travels, he makes an original, wise, and tender poetry. Hustle is full of dashing nerve, linguistic flair, and unfakeable heart."
"Welcome to the world of David Tomas Martinez, where cars want to be stolen and the faucet is held like a gun, and homemade tattoos thicken with age. He breathes fresh air into American poetry by bringing it to the street—away from the Ivory Tower, away from the self-referential jokes and commentary. Martinez allows us to see Neruda's love songs again, but this time they "whoop / a motherfucker's ass." And he makes up his own vocabulary here, one in which the word "weekend" comes from word "weaken," long estranged from "wedded." Open this book on the poems like "Sabbath Fe Minus" or "California Penal Code 266," or "Coveralls," and you will see right away a tone that is restless, metaphors that thrill you, and music that is so contagious it just won't let you be. That is because David Tomas Martinez is a real poet."