What remains
if we take spring and subtract early spring, the slush,the crocuses, the exalted and light infections of the nasopharynx,the lamb, all skin and bones—Rossetti and Blake are yet to comb the celestial wool,then Lent, budding green, then the greatdesert of April,from the first day to the last,then the rush of blood, of the sun,or rushes in general; what remainsif we take a house and take away the children or the thought ofchildren,the down from the pillow, fruits and vegetablesfrom the large basket in the corner; if we take away the corner itself,the edges,the wonderful silver webs—the utensils of time—how it spins us in its spittle, how it minces us—also the delicate smudgesat the end of a meal, the expulsion,the mating season; what remainsif we remove the fishbone stuck in the throatof the gluttonous love cat, look at it, still jumping overthe moon in the yard, but now deprived of its catness—no longer a cat, but a hoop of despair,a scrap of silk, torched and tossed in the middle of the dark,after which even the middle goes outand for a second only the dark remains, but from the darknothing further can be removednor nothing remain.
Feature Date
- October 13, 2018
Series
- Translation
Selected By
Share This Poem
Print This Poem
Copyright © 2018 by Nadya Radulova
Translation copyright © 2018 by Maria Vassileva
All rights reserved.
Reproduced by Poetry Daily with permission
Nadya Radulova is a writer, editor, and literary translator. She has a PhD in comparative literature and is a part-time lecturer in the Translation and Editing Master’s program at Sofia University St. Kliment Ohridski. She has written five books of poetry: Tongue-Tied Name; Albas; Cotton, Glass, and Electricity; Bandoneon, and When They Fall Asleep. Her poems and short stories have been translated into English, Russian, Turkish, Czech, Croatian, Polish, German, and Greek, among others.
Maria Vassileva is a Ph.D. candidate in Slavic languages and literatures at Harvard University. She has published two books of poetry, and is the co-editor of Found Life: Poems, Stories, Comics, a Play and an Interview, a selection of works by Russian author Linor Goralik. Her translations of contemporary Bulgarian poetry have previously been published in Modern Poetry in Translation, Absinthe Magazine, and Drunken Boat.
Spring 2018
Boston, Massachusetts
Emerson College
Editor-in-Chief
Ladette Randolph
Managing Editor
Ellen Duffer
Poetry Editor
John Skoyles
Known for its compelling fiction and poetry, Ploughshares is widely regarded as one of America’s most influential literary journals. Each issue is guest-edited by a prominent writer who explores personal visions, aesthetics, and literary circles. Over the years, guest editors of Ploughshares have included Seamus Heaney, Derek Walcott, Rosellen Brown, Raymond Carver, Tobias Wolff, Sherman Alexie, Russell Banks, Lorrie Moore, Yusef Komunyakaa, and Richard Ford.
Many of today’s most respected writers had their first or early work published in Ploughshares, including Thomas Lux, Susan Straight, Carolyn Chute, Edward P. Jones, Howard Norman, Melanie Rae Thon, Sue Miller, Mona Simpson, Ethan Canin, Tim O’Brien, Robert Pinsky, and Jayne Anne Phillips. It’s no wonder, then, that Literary Magazine Review has proclaimed Ploughshares to be “a magazine that has published a good deal of what has become our significant contemporary American literature.”
Poetry Daily Depends on You
With your support, we make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.