[…]
And out of nowhere a girl receives an ovationfrom her rescuers,all menon their knees and belliesclearing the man-made rubblewith their bare hands,disfigured by dustinto ghosts.All disasters are naturalincluding this onebecause humans are natural.The rescuers tell hershe's incredible, powerful,and for a split second, before the weightof her family's disappearancesinks her, she smiles,like a childwho lived for seven years above groundreceiving praise.
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- April 26, 2024
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“[…]” from […]: by Fady Joudah.
Published by Milkweed Editions on March 5, 2024.
Copyright © 2024 by Fady Joudah.
All rights reserved.
Reproduced by Poetry Daily with permission.
Fady Joudah is the author of […]. He has also published six collections of poems: The Earth in the Attic; Alight; Textu, a book-long sequence of short poems whose meter is based on cellphone character count; Footnotes in the Order of Disappearance; and Tethered to Stars. He has translated several collections of poetry from the Arabic and is the co-editor and co-founder of the Etel Adnan Poetry Prize. He was a winner of the Yale Series of Younger Poets competition in 2007 and has received a PEN award, a Banipal/Times Literary Supplement prize from the UK, the Griffin Poetry Prize, a Guggenheim Fellowship, and the Arab American Book Award. He lives in Houston, with his wife and kids, where he practices internal medicine.
From one of our most acclaimed contemporary writers, an urgent and essential collection of poems illuminating the visionary presence of Palestinians.
Fady Joudah’s powerful sixth collection of poems opens with, “I am unfinished business,” articulating the ongoing pathos of the Palestinian people. A rendering of Joudah’s survivance, […] speaks to Palestine’s daily and historic erasure and insists on presence inside and outside the ancestral land.
Responding to the unspeakable in real time, Joudah offers multiple ways of seeing the world through a Palestinian lens—a world filled with ordinary desires, no matter how grand or tragic the details may be—and asks their reader to be changed by them. The sequences are meditations on a carousel: the past returns as the future is foretold. But “Repetition won’t guarantee wisdom,” Joudah writes, demanding that we resuscitate language “before [our] wisdom is an echo.” These poems of urgency and care sing powerfully through a combination of intimate clarity and great dilations of scale, sending the reader on heartrending spins through echelons of time. […] is a wonder. Joudah reminds us “Wonder belongs to all.”
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