At the Gellert Baths, Budapest

Christy Prahl

Here in the body museum,
women speaking Hungarian

rinse one another with buckets of water,
warmed from a spigot in a turquoise room.

Their hair a long, flattened cat down their spines,
curved to the bend.

These are antique women
with elegies tattooed on the skin –

a bruise, a mole, a scar where an iron
once fell from the board.

The women forget the devils they married
in adjacent rooms where only men are permitted.

The world is gentler here
among the magnesium and tiled swans.

Water ripples like jellied handkerchiefs
where their clavicles hit the surface.

I am frozen in place by the audacious nudity of bodies.
The brazen loaves of fat in the leg.

Bellies sodden after so many babies.
The quiet, nonsexual touching of women

as they soap one another in the spots of their backs
that none of us can reach on our own.

What Keeps Us

Poems to Read in Community

Inspired by C. D. Wright’s poem “What Keeps,” we offer Christy Prahl’s “At the Gellert Baths, Budapest” as part of a twenty-poem selection from poems we’ve featured in 2024—poems, like bread, that one might pass across the table—to a loved one, or to oneself. 

Read editor Lloyd Wallace’s introduction to the collection and statements from our staff readers hereRead poems by selecting below.

What Keeps

Some nights We stay up
passing it back and
forth
between us
drinking deep

Read >

This Era

Forests and cities

along the way sleep like huge dark churches.

Read >

Talisman

each of us bearing the art
in a curve of wing, a small motif
of feather,

Read >

Rewind

Have you ever seen something that buzzes inside you?
I am watching two kids encounter each other

Read >

Rationale

Because she still won’t sleep alone, you sleep deeply
with her small warm body wrapped in your arms.

Read >

Pupusas

no, the pupusa is a portrait
            of this life, crusting & breaking
                        with every lick & tooth

Read >

Psalm III

in what language should I speak to you, sun
so you’ll rise tomorrow for my child, so you’ll
rise and stimulate the growth of our food,

Read >

Night Song

You’ll never know
what became of me
in the dark, how
my body opened,

Read >

Handfuls

Summer is a pure lone mountain.
Somehow, a winter flowers against an enormous blue loneliness

Read >

Eurydice

It snowed the day I died, a freak spring storm.
(It was in the papers.)

Read >

December

Instead of snow, a dark pouring rain
to dodge as passersby reject us.  No spruces, but sycamores with their white cankers.

Read >

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Cover of Christy Prahl

Christy Prahl is an Illinois Arts Council grant recipient and the author of the poetry collection We Are Reckless (Cornerstone Press, 2023). Shortlisted for the Stephen Meats Poetry Prize and a Best of the Net and two-time Pushcart Prize nominee, her publications include the Penn Review, Salt Hill Journal, Eastern Iowa Review, and others. She has held residencies at both Ragdale and the Writers’ Colony at Dairy Hollow and is the founder of the PenRF reading series. She splits her time between Chicago and rural Michigan and appreciates subways and siloes in equal measure. 

Cover of Salt Hill

49

Syracuse, New York

Syracuse University

Editors-in-Chief
Jon Lemay
Sophie van Waardenberg

Managing Editor
Allie Hoback

Poetry Editor
Divya Kirti

Poetry Assistants
Joel Francois
Joe Phipps

Salt Hill is a biannual literary journal publishing outstanding new fiction, poetry, creative nonfiction, and art by people at various stages in their literary and artistic careers. We publish new and emerging writers alongside those with long, illustrious careers in the literary arts.

We are interested in work that represents a broad spectrum of experience. We believe it is critical to lift up the voices of writers and artists who have been traditionally underrepresented in the literary arts. As such, we feel an urgency to read and consider work by people of color, women, queer people, non-binary folks, and anyone else who has been marginalized by the institutions which have, for so long, dominated the publishing scene.

Salt Hill is produced by writers in and affiliated with the Graduate Creative Writing Program at Syracuse University and is funded in part by the College of Arts & Sciences and the Graduate Student Organization of Syracuse University.

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