What I didn’t suspect aboutwar is that there’d bemusicNot the kind that compels you to movein harmonious discordwith the othersNor the kind that creates a burningin the loins to mix breathwith breathBut the kind that irradiatesevery surviving nucleusrendering you a creatureabsolutely newfacing the passage of timenaked and unashamedIn the intervals betweenwar and worse, we discern the scoreready to whirl withplanets and stars that coilaround our fragile coreorderly and composedlike a tragic chorus
Tempo
Oksana Maksymchuk
Feature Date
- February 22, 2025
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“Tempo” from STILL CITY: by Oksana Maksymchuk.
Published by University of Pittsburgh Press on November 5, 2024.
Copyright © 2024 by Oksana Maksymchuk.
All rights reserved.
Reproduced by Poetry Daily with permission.

Oksana Maksymchuk is a bilingual Ukrainian-American poet, scholar, and literary translator. Her debut English-language poetry collection Still City is the 2024 Pitt Poetry Series selection, published by University of Pittsburgh Press (US) and Carcanet Press (UK). She is also the author of two award-winning poetry collections, Xenia and Lovy, in the Ukrainian. Her poems appeared in AGNI, The Irish Times, The Paris Review, The Poetry Review, and many other journals. She co-edited an anthology “Words for War: New Poems from Ukraine,” and co-translated several poetry collections. She is a recipient of the National Endowments for the Arts Translation Fellowship, the Scaglione Prize for Literary Translation from the Modern Language Association of America, the American Association for Ukrainian Studies Translation Prize, and other honors. Oksana holds a PhD in philosophy from Northwestern University. Born and raised in Lviv, Ukraine, she has also lived in Chicago, Philadelphia, Budapest, Berlin, Warsaw, and Fayetteville, Arkansas.
"Unlike many pieces of literature that emerged during the war’s initial days, Still City is timeless. Its terrifying images are immediate, and its observations about human nature and human behavior during grave times is eye-opening and startling. In it, realism and restraint combine to form an unforgettable, and necessary, contribution to the literary canon.”
—World Literature Today
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