Two Poems

Tom Postell

I Want A Solid Piece of Sunlight and a Yardstick to Measure It WithSeventh Avenue fills at noon with a gray tide of        suits come out for air.Noon catching fire peeks over the high rooftops        and spits into the saloons.The brown buildings drip with wilting plaster and        the mighty pigeon’s dung.Sylphindine Fifth Avenue trips on red and green        lights and slides quietly by Central Park.Honeysuckle leaps over the hedges as the people        leave Staten Island for work.Long Island slides in its channel groaning under        the new load of grinding storms.I see the Brooklyn Dodgers on Times Square with        their bats and balls practicing.Let us enter the redundant oasis which rips of        jungle beats on glasses of gin.We never get on the train that stops to let the        morning messenger in.And with rats digging in the cellar the basement        cement crumbles as we rise.Lakes of icy whispering trees float crunchingly on        under the glory of wide blue sky:O give me a solid piece of sunlight and a yardstick        of my own and the right to holler.I don’t need to ask for the moon cause I love some-        thing that melts in your breath.Who I amKunzitekissing bugloud nightmy kit of mornings safely tucked awaydolphin of my heart…swimkissing bugO my martingales of laughter…find mehere where I hide laughing even at youugly minddome of Santa Maria della Salute, Venicethings swell like this eternal doomsday…delighting meyou have an idea who I am now, do you notkissing bugloud nightmy day’s dolphin drifting thru the west

Feature Date

Series

Selected By

Share This Poem

Print This Poem

Photo of Tom Postell

Tom Postell, born Thomas Freeman Postell Jr., was a Black American poet born in Cincinnati’s West End in 1927 and closely associated with the Beat Generation, Black Mountain School, and Black Arts Movement in New York City’s Greenwich Village from 1953 to 1969. A close friend and mentor of poet Amiri Baraka and first published in Baraka’s landmark journal Yugen, Postell’s circle included musicians like Ornette Coleman and Archie Shepp and poets like Allen Ginsberg and Ted Joans. Hindered by institutionalization, mental health struggles, and substance abuse, Postell disappeared from the literary scene in 1970, leaving a trove of innovative work thought lost upon his death in 1980.

Cover of Tom Postell: On the Life and Work of an American Master

"Postell wrote moon poems that would concern the authorities. A nature poet, jazz poet, love poet, and surrealist raconteur. He was multitudinous, hilarious, occasionally terrifying and always interstellar. In the pages of this iridescent collection, his voice arrives as if from another planet, another place in space-time, to call us forward.”
— Dr. Joshua Bennett

"Tom Postell emerged from the mid-1960s Village literary scene as a self-sculpted, deft, barely-listened-to imaginal incessance. And yet, with this surprising new collection of unheralded poems, his work continues to radiate with incantatory significance."
— Will Alexander

Poetry Daily Depends on You

With your support, we make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.