I’m searching for porn with bodies like mine, but not made fetish—false idol for a stranger’s violent desire. So, I’m masturbating to Greek myths & how they remind me of my chimera body. How almost every monster was just the best parts of other animals sewn together. Myth—a stitch threading together the best parts of woman & what I was given. I lie back against the sheets & Charybdis both this body’s hungry mouths, let my fingers feel what wet wreckage, what good & greedy breaking these can make of any body. Name this sometimes-unwanted part of me—Hydra how you sever the head of a snake & it grows again & it grows again & it grows again, how this blood-hardened flesh reminds me of its presence. & in this myth woman is still born from the severance of man. But not how you were taught. My hands slur semen and seafoam into one word. A sound like birth & drowning. In myself & these sheets. Body breaking the water’s surface. Mouth gasping for air
Masturbating to Greek Myths
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“Masturbating to Greek Myths” from DEED: by torrin a. greathouse.
Published by Wesleyan University Press on August 20, 2024.
Copyright © 2024 by torrin a. greathouse.
All rights reserved.
Reproduced by Poetry Daily with permission
torrin a. greathouse is an award-winning transgender cripple-punk poet and essayist. Her work has been featured in Poetry Magazine, The Rumpus, the New York Times Magazine, Copper Nickel, and The Kenyon Review. They have received fellowships from the National Endowment for the Arts, the Effing Foundation for Sex-Positivity, and The Ragdale Foundation. She is the author of DEED (Wesleyan University Press, 2024) and Wound from the Mouth of a Wound (Milkweed Editions, 2020), a Minnesota Book Award and CLMP Firecracker Award finalist, and winner of the 2022 Kate Tufts Discovery Award. They teach in the low-residency MFA program at Pacific Lutheran University.
"torrin a. greathouse is in language's thrall. She knows a word turns flesh into egress, renders anatomy anomaly, and buries girls like her in ravenous appetites. To read her stunning DEED is to learn hunger's grammar and be changed.”
~Douglas Kearney, author of Sho
"At last! In DEED, torrin a. greathouse has forged a new record—blistering & radiant—of a seemingly audacious contemporary conceit: the trans crip body on its own terms. These poems are resolute in their agency, urgent with desire, & fashioned with greathouse's signature skill for calling up & in a hostile lineage that does not always deserve her lyric ingenuity. This is the book I have been waiting for. 'Crooked prayer' indeed. Amen."
~Meg Day, author of Last Psalm at Sea Level
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