Stalina Emmanuelle Villarreal (she/they) sees, hears, feels, and communicates across mediums and cultures. She’s a deep-watching ekphrastic poet, a photographic eco-essayist, a broad-stroke sketch artist, a sonic improv performer, a sound-sensitive literary translator, and an assistant professor of English. Her bilingualism stems from her 1.5-generation experience being both Mexican and Xicanx. Her debut collection of poetry Watcha is out now from Deep Vellum Publishing. Her poetry can be found in the Rio Grande Review, Texas Review, The Acentos Review, Defunkt Magazine, and elsewhere. Her published translations of poetry include Enigmas by Sor Juana Inés de la Cruz, Photograms of My Conceptual Heart Absolutely Blind by Minerva Reynosa, Kilimanjaro by Maricela Guerrero, and Postcards in Braille by Sergio Pérez Torres. Stalina is the recipient of the Inprint Donald Barthelme Prize in Poetry. Her visual poetry—spanning queer erotica, interactive digital art, and video installation—was part of the Antena@Blaffer exhibit at University of Houston’s Blaffer Art Museum. She is currently writing ekphrastic elegies about her interpretative drawings of portraits and a memoir about her photographs of nature—revealing her ability to look backward and within, to write new ways forward.