Break from Madness Kennedy A. GisegeYou shave your scalp then click your tongue like a boy who cutsoff his fuzz for the first time, snicks his chin as blood flows out, then stopsso madness can recede. Or does it, when you cut off your hand whilehacking up wood. Does madness begin to wane, then? Or whenthe funeral drum rings with sinister distractions as a woman smiles at you?Does madness flee for the he-bird when he warms eggs while the she-birdgoes to war? Because she-birds must do everything, not just dance whenthe drum beats. How about when a singer yelps without notes and youwonder if you are black enough or blue without being told madness is like that—like waking up from a fever that says you need a break before it cuts, excoriates. Sometimes I Wonder If God Really Fuck with Me Like That Sin à Tes Souhaits& i mean if She don’t who could really blame her my prayersare hardly coherent hardly consistent too many drunk textstoo many requests for someone who don’t call too muchi run out of words for God and i can’t speak to my demons buti hear them my language is never as big as my sins my gracemy demands which have taken to lingering in the back of my throat& who can say whether God has favorites remembers only someof our birthdays maybe She’s exhausted maybe She’s a simulationi never know what’s real i never know what to believe i used tobelieve all i could have was the winter streets i kept returning tofades funerals & the familiar cold of County & now i’ve made a homein uncertainty my life is open concept i let the light wash through undesignedwarm enough to murk up the mirrors i am mostly alone & mostly unafraidlike a hummingbird at dawn September flowers are pinking in my yard& on my father’s gravestone too i sense a revolution & many deadbefore spring ancestors way past impatient embracing their kin the skywas my lover we laid all day with each other tried to figure out howwe could survive solo just the two of us & i don’t know about you buti can’t say what any of this shit means i know how to make a poemmake a thing pretty & so must God but i’ve been so ugly & so has She& i swore when i wrote this poem it would be all gold & saffronthought it would smell like some pine forest epiphany at leastsome cocoa butter at least an explanation but these are just words& i’m not saying i don’t believe in God i’m just saying She ain’t easyto read She don’t respond She don’t keep her read receipts oni’m saying my cousin still can’t come home & my homie still can’t come out& yesterday i ate lamb & licked the blood from the plate & laughedfor an hour & everything was perfect & it feels like a trick
Two Poems from “Like A Hammer”
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“Break from Madness” by Kennedy A. Gisege from Like A Hammer.
Published by Haymarket Books.
Copyright © 2025 by Kennedy A. Gisege.
All rights reserved.
Reproduced by Poetry Daily with permission.
“Sometimes I Wonder If God Really Fuck with Me Like That” by Sin à Tes Souhaits from Like A Hammer.
Published by Haymarket Books.
Copyright © 2025 by Sin à Tes Souhaits.
All rights reserved.
Reproduced by Poetry Daily with permission.
Amenya Kennedy Gisege is the author of The Liturgy Of Smell published by Red Bird Chapbooks on 2016. He was nominated for a 2018 Pushcart Prize in creative non-fiction. Recent poems have appeared in Transit, Ope! and Agni and the book, Like a Hammer (Haymarket Press, 2025). He is one of the editors of American Precariat (Coffee House Press, 2024). He is incarcerated in The Minnesota Correctional Facility-Faribault.
Sin à Tes Souhaits is a poet, editor, filmmaker, and consultant from East Las Vegas. He is the former poet laureate of Clark County, and his work has been supported by a number of fellowships, including Art for Justice, and the Donald Barlow Fellowship at the Beverly Rogers, Carol C. Harter Black Mountain Institute. His poems have been published in The Sun, Rumpus, The Academy of American Poets, among others. Several have been adapted to short films, most recently “10 Toes Down” in partnership with the Sidney Frank Foundation.
Chicago, Illinois
Like A Hammer is an anthology of poems that unearths the shared traumas produced by America’s incarceration system.
These powerful poems of witness seek to address the oppressive systems that make up the US prison-industrial complex, revealing cracks in a criminal punishment system that too often appears unchangeable. The impacts of that system reverberate through lives and across generations. The poets gathered here aim to foreground the real experiences of people touched by the system, to upend dominant narratives, shine light on injustice, and act as a fulcrum around which to organize communities in support of change.
Like A Hammer explores how art and imagination can serve as vehicles for endurance, offering us the hope to envision a better future.
Contributors include: Hanif Abdurraqib, Rhionna Anderson, Brian Batchelor, Reginald Dwayne Betts, Marina Bueno, Cody Bruce, Marcelo Hernandez Castillo, Natalie Diaz, Tongo Eisen-Martin, Nikky Finney, Kennedy A. Gisege, Gustavo Guerra, Jessica Hill, Vicki Hicks, Randall Horton, Sandra Jackson, Catherine LaFleur, Ada Limón, Sarah Lynn Maatsch, Christopher Malec, Eduardo Martinez, John Murillo, Angel Nafis, Kenneth Nadeau, Leeann Parker, James Pearl, Christina Pernini, Roque Raquel Salas Rivera, Patrick Rosal, Nicole Sealey, Evie Shockley, Patricia Smith, Sin á Tes Souhaits, Vanessa Angélica Villarreal, Erica "Ewok" Walker, Candace Williams, and SHE>i
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