Or is it anticipation cut perverselySomething must happenDear ones, say you feel it tooParts of my body are blankIt’s not a wish but it’s also not CassandraI think about the word eraI’m working on ferocity and frankness:This poem failsHere an affect there an affectLet’s reclaim sadIs it foreboding if it’s factualOkay a little wishI think about the words period of my lifeIt’s an endurance actHer father dies and I keep wadingHe has to see the cardiologistI want to commit to the poem but I can’tI get cold and cultivate selfishnessShe says each generation is called a word in the poemI write patience in my notebookI wait for my period and drink a CoronaI try to make it a speech actHave I given myself permission to inhabit my bodyI think about the alien insideI think about the phrase unwanted advancesParts of our bodies are blankI put my fingers on your coronariesCome at me
With Love and Dread and Rage and Love,
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“With Love and Dread and Rage and Love,” from BEARINGS: by Stephanie Anderson.
Published by New Michigan Press on February 20, 2024.
Copyright © 2024 by Stephanie Anderson.
All rights reserved.
Reproduced by Poetry Daily with permission.
Richard Davis
Stephanie Anderson is the author of several poetry books and chapbooks, most recently If You Love Error So Love Zero and Bearings. She is also the editor of Women in Independent Publishing and the co-editor of All This Thinking: The Correspondence of Bernadette Mayer & Clark Coolidge. Recent work has appeared or is forthcoming in Annulet, Fence Steaming, Gulf Coast, and elsewhere. She teaches at Duke Kunshan University and lives in Suzhou, China.
Bearings was a finalist for the 2023 DIAGRAM/New Michigan Press Chapbook Prize and was published in 2024. You can read poems and postscripts to this project in La Vague, Sink Review, Guernica, Spittoon (Beijing, no. 2), the tiny, Posit, and Burning House Review.
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