Yesterday, I handed all my poems to my publisher.I feel like I handed him my headand the words I speak from now onwill come out of his mouth.What a disaster!Disasters don’t show up one at a time.They arrive in legions like a starving hoard.A poet said this then died.For example, half my family diedand after I celebrated the end of that yearmy father died.Since then I’ve let my poems go.Every night poets get drunk beneath my windowand dictate wise poems to me.I loathe wisdom.I invite them in, slaughter them like fattened sheepand dine on them,but I still can’t get my voice back.I glimpse it through the window, crucifiedat the top of the mountain.I’ve become a mere reflectionof a tree stripped naked in a puddle on the road.Don’t step over me, shade mefrom a sun that might pass overheadand vaporize my trunk.Maybe I will speak my peace.I’ll tell you disasters might die outif you stopped feeding them firewood,but you won’t hear me,and the mountain is made of kindling. -Dabbouria, Lower Galilee
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“Reflections” by Asmaa Azaizeh from HEAVEN LOOKS LIKE US: edited by George Abraham and Noor Hindi.
Published by Haymarket Books on May 13, 2025.
English Copyright © 2025 by Lena Khalaf Tuffaha.
All rights reserved.
Reproduced by Poetry Daily with permission.
Asmaa is a poet, performer, and journalist based in Haifa. She was born in 1985 in the village of Daburieh, in the Lower Galilee, Palestine. In 2010 Asmaa received the Debutant Writer Award from Al Qattan Foundation, for her volume of poetry, Liwa, published in 2011 with Dar Al Ahliya, Jordan. Asmaa has recently published a memoir A Year of Small Museums, and four poetry collections. Don’t Believe Me If I Talked To You Of War was published in 2019 in Arabic, Dutch, and Swedish. Her poetry has been translated to English, German, Spanish, Farsi, Swedish, Italian, Greek, among others. Asmaa became the first Director of the Mahmoud Darwish Museum in Ramallah in 2012.
Lena Khalaf Tuffaha is a poet, essayist and translator. She is author of three books of poetry: Something About Living (University of Akron Press, 2024), winner of the 2024 National Book Award for Poetry and the 2022 Akron Poetry Prize; Kaan & Her Sisters (Trio House Press), finalist for the 2024 Firecracker Award and honorable mention for the 2024 Arab American Book Award; and Water & Salt (Red Hen), winner of the 2018 Washington State Book Award and honorable mention of the 2018 Arab American Book Award. She is also the author of two chapbooks, Arab in Newsland, winner of the 2016 Two Sylvias Prize, and Letters from the Interior (Diode, 2019), finalist for the 2020 Jean Pedrick Chapbook Prize. For more about her work, visit www.lenakhalaftuffaha.com.
A love letter to Palestinian ancestors, their descendants, and their land, to all anti-colonial and anti-imperialist struggles, to a history that will never be forgotten, and to a future in which there thrives a free, free Palestine.
Poetry has always served as a mode of resistance in Palestinian culture. In defiance of dispossession and decades of military siege, of a nakba that never ended, of historical and cultural obfuscation, of unrelenting violence and thousands of martyred people, the “power to narrate,” as Edward Said wrote, remains a necessary tool for self-determination. The poems collected here reclaim that power, bridging borders, languages, and generations to forge new conversations around resistance and liberation.
HEAVEN LOOKS LIKE US is a battle-cry against the annihilation of a people. As Palestinian history remains haunted by exile, violence, and grief, so, too, are the poems in this anthology. And yet, editors George Abraham and Noor Hindi present these realities alongside other themes that are also true: queer and feminist perspectives, eco-poetry, meditations on love and time, and lineages of protest. This anthology dares to imagine a future beyond a nation-state for Palestinian people everywhere. Contributors include Refaat Alareer, Mahmoud Darwish, Naomi Shihab Nye, Mohammed El-Kurd, A.D. Lauren-Abunassar, Lena Khalaf Tuffaha, Hala Alyan, Fady Joudah, and Heba Abu Nada, and many other voices, both established and ascending.
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