Geomorphology of the Upper Great Plains

Joe Wilkins

From the subduction of the Farallon plate, from an ancientocean draining away, away,               from a merle of red-wingedblackbirds ringing the last reedy mudhole for miles,beneath a wind leaning ever against the earth,                    unearthing nowthe skull of a buffalo, eye socket the size of a man’s fist,which is the size of his heart, which makes for an unsettlingvacancy. A geography of absence, an economy of abnegation,aesthetics of antelope blood & roaddust. Everything was rivered,but there was no river. Everything was bent                         like the grass,even the small, be-ribbed backs of children. Everyone loved& hated the obvious face of the sun, which in turn blessed& burned,       like the eight hands of any one of the gods—aeolian, fluvial, hillslope, etc. Come evening it wasn’t abouteschatology, not exactly,                more the cold kiss of hosewateron our foreheads, the soft places beneath the jaw. I’m telling youone August, years ago now,                  the cottonwoods bowed down,the ditches filled with tumbleweeds, the fields forgot themselves& were dust—we all saw it. Even the ghosts.

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Black-and-white headshot of a smiling Joe Wilkins

Joe Wilkins is the author of two novels, The Entire Sky and Fall Back Down When I Die, both of which have garnered wide critical acclaim. Wilkins is also the author of a memoir, The Mountain and the Fathers, and five collections of poetry, including Pastoral, 1994 and When We Were Birds. A finalist for the First Novel Prize from the Center For Fiction, the Mark Twain American Voice in Literature Award, the Pacific Northwest Booksellers Award, and the Orion Book Award, Wilkins has won the Oregon Book Award, the Montana Book Award, the Pushcart Prize, and four High Plains Book Awards. You can find him online at https://joewilkins.org/ and https://joewilkinswriter.substack.com/. 

Joe Wilkins' Pastoral, 1994 calls compellingly into the lyric quietness, labor, and rituals of the rural West and its communities, bringing readers close to the earth, to the ditches, to the "flowery stink of alfalfa / hot breath of wheat." Enfolding its reader in a living, breathing landscape, this collection tenderly approaches the lives—of humans, of sheep, of cottonwood, and barn owl—that collide and entangle with each other. With a gentle yet appraising regard for the richly layered concepts of childhood and masculinity, Pastoral, 1994 leans in and listens to the prairie and those living there.

I’m telling you
one August, years ago now,
the cottonwoods bowed down,
the ditches filled with tumbleweeds, the fields forgot themselves
& were dust—we all saw it. Even the ghosts.

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