Elegy for Norman Dubie

Katie Berta

During sex, I often think of a fact I heard, which is thatduring sex, our impulse toward disgust is diminished.I think this in order to make myself less inhibited.As some things die back, others rise. Norman died todayand I can’t help thinking about how the person he ismay never be a style of person again. It’s hard to believeall the things the world’s made extinct, that we’ve killedoff entirely. A normal, healthy process of burningthe brush out of a forest or the annihilation of us all?I can see the good in what we’ve left behind. Drunkin the MFA program, I opened my mouth to everyone,a mouth that was more sticky than wet. Disgustnever occurred to me then. Disgust trampled outby how big I always tried to be. At that time, Norman lovedto talk big about his sexual competitions, his drunkenness,all the fame that briefly surrounded him—though nowhe is celibate of all things. First real teacherto die, as many are dying today, throughout the world.Everyone—or many—are feeling this at all times.

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Katie Berta is the author of collective, which won the Iowa Poetry Prize and will be published by the University of Iowa Press in 2027, and retribution forthcoming (Ohio University Press), which won the Hollis Summers Prize and was a finalist for the Julie Suk Award and an Ohio Book Award. Her poems have appeared or are forthcoming in Ploughshares, Poetry Daily, The Kenyon Review, The Georgia Review, The Cincinnati Review, The Yale Review, and others. She has received residencies from Millay Arts, Ragdale, and The Hambidge Center, fellowships from the Vermont Studio Center and the Virginia G. Piper Center for Creative Writing, and an Iowa Review Award. She teaches creative writing in Arizona.

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University of Georgia

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Gerald Maa

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C. J. Bartunek

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 Noah Baldino

The Georgia Review is the literary-cultural journal published out of the University of Georgia since 1947. While it began with a regional commitment, its scope has grown to include readers and writers throughout the U.S. and the world, who are brought together through the print journal as well as live programming. Convinced that communities thrive when built on dialogue that honors the difference between any two interlocutors, we publish imaginative work that challenges us to reconsider any line, distinction, or thought in danger of becoming too rigid or neat, so that our readers can continue the conversations in their own lives.

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