My Lover Worships Horses

Ìfẹ́olúwa Àyàndélé

My lover hides her pain on the bodyof horses, say horses carry Edenas they gallop into battle. She saysher ancestors are horse riders,and she has learned the language of horsesfrom their mouths. My lover worshipshorses and speaks of a timewhen everything will become a horse,galloping in between the gaps that separatepeople, that break them into the linesof maps. Meanwhile, my ancestors arewood-carvers, I know the nameof every tree in the woods, and the treesknow my name, I can hear the heartbeatof every tree, and they knowmy voice like a mother knowsthe voice of her child. The tree ismy mother and my body is elopedto the bark of a tree, and the treeand I are one. There are voicesin the trees, and only the circumcisedcan decipher the drumbeat. I givethe tree my pains to carry them,to rock them like a mother rocksher child. There is a town-hall meetingin the tree, and my ancestors are singingthe song of yesterday and their bodiesare a graffiti of history, and my bodyis the map of their tomorrow,where my lover and I are a body of horsesand trees and carry a new breedof people in our loins. We say to war,you’re a yesterday that yields no fruitand we ride our horses to Eden and tracemaps on the bark of trees and openthe gates into the country of our ancestorswhere we kneel before a host of horse ridersand wood-carvers and give our bodiesto their bodies, and we become a body,a country of burnt offerings.

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Eric Atie

Ìfẹ́olúwa Àyàndélé is a poet and essayist from Tede, Nigeria. He is the author of the poetry collection, My Father Paints His Dreams on My Body (Moon City Press, 2026), the winner of the 2024 Moon City Poetry Award. He was awarded the 2026 Pink Poetry Prize from Great River Review. His poem was the runner-up for the 2026 Auburn Witness Poetry Prize Honoring Jake Adam York, selected by A. Van Jordan. His recent work is published or forthcoming in African American Review, Southern Humanities Review, Poetry London, Callaloo, Magma, Transition Magazine, Poetry Wales, Beloit Poetry Journal, and Michigan Quarterly Review.  He is pursuing a PhD in creative writing at Florida State University. He has received a fellowship from the Obsidian Foundation and is the Assistant Interviews Editor at Southeast Review.

“How do the dreams of our parents inhabit our lives? In this tender and lyrical debut collection, Ìfẹ́olúwa Àyàndélé speaks with the ghosts of his ancestors through war and exile. But it is his father who connects him to this deep past and its drums, animal spirits, winds, and trees. Many of these poems seem to be prayers to the luminous self with its multitude of voices that guide us through our world of beauty and chaos. All we can do, Àyàndélé says may be to look ahead and ride across the river.”
—Barbara Hamby, author of Burn and Holoholo

“Ìfẹ́olúwa Àyàndélé’s poems are profoundly devastating in all the right ways, language, image, the places in the world, and heart he brings so effortlessly into the light. His father’s poems are so moving and permanent. Àyàndélé’s eyes miss nothing. Family is everything, and the body carries with it the memories of a geography that will move you beyond the here and now. This book is not only a welcome debut by a fine poet whose voice sings and laments, but it is also a triumph of the human spirit.”
—Virgil Suárez, author of 90 Miles: Selected and New, The Painted Bunting’s Last Mold, and Amerikan Chernobyl

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