Switched planes at Tokyo Bay for New York, crossed the Bering Sea, then entered North American airspace,Amid the whoosh of the wings and the smoking trails,I looked down and saw vast snow-covered mountains and glaciers. . .A never-before-beheld spectacle,The earth strangely cold. . .“You’re lucky, you took the polar route,Otherwise you’d only see smoke filled sky.Southern California, it’s a nightmare–The residents of Santa Monica have been evacuated,Not far from where Brecht lived in exile, you know. . .”O, Bertolt Brecht!Fleeing from smoke to smoke.As you anxiously gauged the blaze and wind direction,We flew over Hokkaido to AlaskaAs if returning to the ice age.Taking an ice-cold Sapporo beer the JAL stewardess handed me,I recalled Yasunari Kawabata’s Snow Country,Do you know how it ends?It ends in a conflagration.O, fire and ice.The fire and ice of this world!You’re right, that Buddhist sutra you mentioned is startling–“We live in a burning house.”*The liberated one comes from the snow country, offering himself tothe void.The helpless offer prayers.The eyes of the beholders, though high above the skyAre scorched by flames.No one is lucky.No one can pull out their hair and go to heaven.Tongues of fire lick all our homes,The thick smoke seeks to suffocates us.(The wild hare with a burned ear hopped intoA poem by Elizabeth Bishop.)**And I lift my eyes again–A half-naked glacier below the plane,The white patch farther off is Greenland,Almost the far side of the earth, on the edgeOf an imperial dream.And I’m strapped in my seat.And the firemen are under the waves of the fireRunning through the smoke.Are your eyes also a conflagration?***Must I write another marginal poem about glaciers?My path forever seems to goThrough fire and ice. January 25, 2025 New YorkNotes* See chapter 3 of the Lotus Sutra** See Elizabeth Bishop’s poem “The Armadillo”.***See Mu Dan’s Eight Poems, 1, “Your Eyes Have Seen this Conflagration.”
Flight Path
—for Jane Hirshfield
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“Flight Plan” from AT THE SAME TIME: NEW AND SELECTED POEMS by Wang Jiaxin
Published by Arrowsmith Press on October 1, 2025.
Copyright © 2025 by Wang Jiaxin.
English Copyright © 2025 by John Balcom
All rights reserved.
Reproduced by Poetry Daily with permission.
Hu Min
Wang Jiaxin is a Chinese poet, essayist, translator, and professor at Renmin University of China. He is the author of over forty volumes of poetry, essays and translations. He has won many domestic and international awards. His collection of poems in English is Darkening Mirror (Tebot Bach, 2017), translated by Diana Shi and George O’Connell, with a foreword by former US Poet Laureate Robert Hass. In recent years, following his retirement, he has primarily resided in New York. He has been invited to lecture, give readings, and serve as a poet-in-residence at numerous universities, poetry festivals, and literary institutions across the United States, Canada, and Europe. His work has appeared in more than a dozen American journals, including the The American Poetry Review, American Poets, The Kenyon Review, Poetry Daily, Washington Square Review and The Hopkins Review. His second collection of poems in English, At the Same Time (Arrowsmith, 2025), translated by John Balcom, was selected by World Literature Today as one of the 75 notable translations of 2025 and was longlisted for the 2026 PEN Award for Poetry in Translation.
Medford, Massachusetts
Wang Jiaxin is a major voice in contemporary world poetry. Intimate, historical, and ruminative, the poems in his latest collection, At the Same Time, invite readers into a space of multiple cultural convergences as East and West engage in a luminous poetic dialogue. Weaving together themes of memory and exile, Wang’s meditations find solace in the company of such disparate literary figures as Du Fu and Anna Akhmatova, carrying readers to far flung places, from Santorini to Long Island. Nuanced and attentive to the weight of history, they celebrate the heroism of lyric resistance while marking the transient beauty of the mundane. Impeccably rendered by John Balcom, the poems both valorize and question the literary enterprise. Writing about the American poet Hart Crane, Wang asks: “But in the end, what did you save?”
“In these compressed lyric poems, in poem after poem, I felt that flash of perception, that transformation of the literal into the revealed, even the metaphysical. And the startlement of recognizing, oh! Here’s evidence of intelligent life on earth.”
— Rosanna Warren
“Wang Jiaxin’s many dialogs with the great poets and philosophers carry his own distinctive vision, perspective, compassion, and authority: a bedrock looking and saying. A world poet comes into English in these powerful poems’ translations.”
— Jane Hirshfield
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