All the sailboats in the harborface north. I can see twenty-fourfrom your study window.Overhead, large white birds fly aroundin the September glow.The sky is baby blue without a single cloud.The house at 25 Main Street finally sold.Isn’t that where Venture Smith lived?He was the son of a prince, who purchasedhis freedom. History cannot be unlived.Chez Perenyi, I visited David’s ashesunder a chestnut where edible mushrooms,Phallus ravenelii, now grow, and Libby,a rescue dog from Tennessee,nuzzled me and licked my lashes.At the farmers market, the cheesemongercouldn’t stop talking. A young man at Nana’s bakerygave me a brioche and smiled kindly.And Mrs. Purity, of Purity Farm (I love her peaches),stepped right out of a small Dutch painting.All night, I hear the clinking halyard lines.Before dawn, I buy a coffee at Tom’s Newsstand,then sit with your big Petit Larousse, La Fontaine,and my ardor. September is a time to feel the light,write, scratch out, write, nap, walk, begin again.I am too afraid of jellyfish to swimwith Jonathan out to the breakwater;instead, I sit with Penny at her longdining table and eat beef bourguignon.You make me feel I almost belong.
107 Water Street
“small town” is Largely a state of mind . . .—James Merrill, The Changing Light at Sandover
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“107 Water Street” from THE OTHER LOVE: by Henri Cole.
Published by Farrar, Straus and Giroux on July 8, 2025.
Copyright © 2025 by Henri Cole.
All rights reserved.
Reproduced by Poetry Daily with permission.
Henri Cole was born in Fukuoka, Japan to a French mother and an American father. He has published eleven previous collections of poetry and received many awards, including the Jackson Prize, the Kingsley Tufts Award, the Rome prize, the Berlin Prize, the Lenore Marshall Award, and the Medal in Poetry from the American Academy of Arts and Letters. He has also published “Orphic Paris,” a memoir. He teaches at Claremont McKenna College.
Henri Cole pins the complexities of aging and the mystery of the passage of time to the page.
"These are hopeful and gilded poems, managing to suggest the rich life of the mind but never abandoning the body. . . . [The Other Love] reveals a new edge to Cole’s voice—composed, taut with nerves, but tempered with wisdom . . . These are exemplary lyrics of witness."
—Publisher's Weekly (starred review)
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