A Meadowlark in Arrow Rock, Missouri

G.C. Waldrep

(draft 1)It is not insistent. It is not desperately clinging                                                      to the is, the are.              It is familiar with the dusk.(I write, “It is familiar with the dusk,” words.)     It does not call                    Do you believe, do you believe.I don’t know how much like a church it is                                                                     but the sun,the sun if it knows worship clearly knows this,                               it reaches with its chasm      towards the soft muscular throat, thinking                               Inside. There must bean inside. It repeats this. Epochs chamber by.I was stunned by the sheer scholarship of it.        As well, the sound milk makes, or a sound                                                 milk might make.Come away then, from the incision.                                                                           The windshot through the fence post like a knot of silk.It is directly related to light, to the Pauline                                                                 mission of light.         Perhaps it is a preaching to the bees.Scalded, pressing forward at the top of the wall,          what does your soul say now,                                              warden. Scars break                                                                            beautifully                in the early hours, you must beawake to catch their fragments as they descend.            Some ashes of bees, kept reverently.       Little bits of Chopin on loan from adversity.Memories of livestock filling the streets,        archive them                       together with the bandages. What?Yes, the new ones as well as the soiled ones.And then: to bleed light, as if it were a key.                  Wound wound wound wound!      The wonder of it, almost but not quite a lock.                                              But it sounds better               than Hölderlin Hölderlin Hölderlin!which is perhaps the more accurate translation.(draft 2)                                                                Let’s     memorize the darkness together, you & I.

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Hat and glasses

G.C. Waldrep’s most recent books are feast gently (Tupelo, 2018), winner of the William Carlos Williams Award from the Poetry Society of America; The Earliest Witnesses (Tupelo/Carcanet, 2021); and The Opening Ritual (Tupelo, 2024). Recent work has appeared in American Poetry Review, Poetry, Paris Review, Ploughshares, New England Review, Yale Review, The Nation, New American Writing, Conjunctions, and other journals. Waldrep lives in Lewisburg, Pa., where he teaches at Bucknell University.

Cover of The Opening Ritual by G.C. Waldrep

North Adams, Massachusetts

In The Opening Ritual, G.C. Waldrep concludes a trilogy of collections exploring chronic illness—the failure of the body, the irreducible body—in the light of faith. What can or should “healing” mean, when it can’t ever mean “wholeness” again? And what kind of architecture is “mercy,” when we live inside damage? These are poems that take both the material and the spiritual seriously, that cast their unsparing glances towards “All that is not / & could never be a parable.”

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