Abecedarian for My Undocumented Amá’s Tongue in TX

Saúl Hernández

Amá irons her tongue                Bracing herself when she puts a knife to her lenguaCuts it—                Delicately serves it to me for breakfast with a side ofEggs. When she was a little girl she didn’t                Fear language or having aGay son. The only way to keep surviving is to keep                Hiding in America or byImagination. She gathers when is left of her tongue, goes to the                Jacaranda trees she passed by the park each day. SheKneels beneath the indigo shade & buries the remainders of her tongue. Amá knows                Loss more than love these days—how even her name no longer sounds the same.Mexico behind her, always. Now her grandparents & father                No longer have a mouth to call her name. Amá is not aNiña anymore but a mujer who has come to America to                Open my mouth & feed me her own tongue so I can be twice as strong.Please, I don’t want to. I say.                Quivering Amá opens her mouth to maroon coming down her face,Reminds me there are things in life you can’t take back.                She hands me the fork & knife. I slice her tongue intoThin pieces, dip it in ketchup with my egg. I down every bite                Until there is nothing left of her on my plate. Inside me I feel her tongueVibrate whenever she gets asked if she knows English. At night pus runs rivers of                Xanthic inside her mouth. She cleans it with a shot of vodka.Years later I’ll dig for scissors in a sewing kit, I’ll stand in front of a mirror, I’ll draw a                Zigzag line with a pen on my tongue, I’ll snip it out & open Amá’s mouth to give her                                                                                                     the words she’s been holding inside all her life.

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Saúl Hernández is a queer writer from San Antonio, TX who was raised by former undocumented parents. Saúl has an MFA in Creative Writing from The University of Texas at El Paso. Saúl’s debut poetry collection, How to Kill a Goat & Other Monsters, is a Lambda Literary winner, a Writers’ League of Texas Discovery Winner, and longlisted for a PEN Open Book Award.

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Arizona

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Dominique Ahkong

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Johnny Cordova

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Claire Zhou

Shō Poetry Journal is an Arizona-based nonprofit print journal coming out of a 20-year hibernation. We publish an eclectic array of poetry twice a year—in winter and summer—and release online audio and web features on a rolling basis. By publishing an average of 100 poets per year and facilitating connections through social media, we strive to expand on the small-press tradition of championing voices that have been historically underrepresented or overlooked.

In our pages, words from a Zen Abbot may appear alongside those of an American machinist, a queer poet of color holding their first print publication, a mother ‘emerging’ in her mid-50s, and a 20-something MFA graduate who’s just won her first Pushcart Prize. Their voices come together in an issue with striking cover art. When possible, we work with new and early-career artists to create cover art tailored to each issue. We encourage work from poets who confront their truths and engage us with clarity, vulnerability, and emotional accuracy.

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