After the Deluge

Kwame Dawes

Before the storms, the ground was red,covered by the soil blown from foot-wornfootball fields denuded of all grass.Red, too, were the pavements in frontof the old shops, the abandonedoffices, the empty schools, the hollowechoing corridors of the Old City Hall.Before the storms, before the invasionof the righteous militias, beforethe executions against the limestone wallsin the alleyways, the city breathedits own sweet liveliness,and even the desperate knew howto sing. Everyone could read the skies,knew to look between the twomountain peaks to find the makingof storms — even a child could timethe deluge to the second, its applauseshimmering across the zinc roofs.But on the morning of the great storm,the mountains vanished and blacknessswallowed the circle of hills.The rain consumed the peopleand left them with empty streets, mud-stainedwalls, and roads black with flooding.There are no ghosts here. They drained awaywith the ebbing waters. What is leftis the soft wind off the river and the humthat comes with the loss of all memory.

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Chris Abani

Kwame Dawes is the Poet Laureate of Jamaica. He is the author of twenty-two books of poetry and numerous other books of fiction, criticism, and essays. He is Glenna Luschei Editor-in-Chief of Prairie Schooner and George W. Holmes University Professor at the University of Nebraska. Dawes is a chancellor of the Academy of American Poets and a fellow of the Royal Society of Literature. His awards include an Emmy, the Felix Dennis (Forward) Prize for Poetry, a Guggenheim Fellowship, the PEN/Nora Magid Award for Magazine Editing, and the Windham Campbell Prize for poetry.

Sturge Town is a stunning collection of poems that connects with the earliest days of Kwame Dawes’ work as a poet, from the roots of childhood in Ghana to the reflections of a man turned sixty who is witnessing his children occupying the space he once considered his own. 

"Sturge Town is named for one of the earliest free villages in Jamaica, Dawes's family home. From this psychogeographic starting point...unspools a richly intelligent, deeply descriptive exploration of home and identity...This personal odyssey becomes a universal journey."
—Fiona Sampson, The Guardian

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