These days I move from room to room looking for a thing tohaunt. The filaments inside my teeth glow in the dark,thirty-two beacons no one will see, except the mirror Ireturn to again and again, hoping for it to swallow me, tofind anything there but my face. Mirror is another word forhunger. Hunger is another word for dead. Anyone would betired of hearing from me, the kind of woman — this repulsiveword — who’ll never have a garden or greenhouse, only afridge crisper full of broccoli and kale and lettuce, allrotting to sludge, bananas on the counter blackening likefrostbitten skin. I used to quarter an apple with suchperfection I could have been autopsying my own heart. Thething is there’s no way out of this house. Memory circleslike flies. Even the dead need to eat. Even the dead dream. Ileft a note in the memory: You deserve so much more thandesire.
At the End, There Is Always a House
Feature Date
- October 9, 2024
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Copyright © 2024 by Sara Eliza Johnson.
All rights reserved.
Reproduced by Poetry Daily with permission.
Sara Eliza Johnson is the author of Vapor (Milkweed 2022) and Bone Map (Milkweed 2014), which was a winner of the 2013 National Poetry Series. Her poetry and nonfiction has appeared in the Virginia Quarterly Review, Colorado Review, New England Review, Boston Review, the Academy of American Poets Poem-A-Day program, Bright Wall/Dark Room, AGNI, Alaska Quarterly Review, and The Adroit Journal. She is the recipient of a National Endowment for the Arts Fellowship and a residency from the Virginia Center for the Creative Arts, among other honors. She teaches at the University of Alaska, Fairbanks.
Winter/ Spring 2024
Anchorage, Alaska
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Alaska Quarterly Review is one of America's premier literary magazines and a source of powerful, new voices. Works originally from AQR have appeared in Prize Stories: The O. Henry Awards; The Pushcart Prize; The Beacon Best; The Best American Mystery Stories; The Best American Essays; The Best American Nonrequired Reading; and The Best American Poetry.
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