#blessed

Rosalie Moffett

In  my  flower  bed,  I  hesitate  to  be  delighted  by  everything I have worked for in my tiny territory in the heartland of America, where the memes are good enough to be Band-Aids

for suffering, the memes are of ’50s housewives saying, I’m ready for some blessings that aren’t in disguise, and where still more daylilies have opened into paroxysms of orange so orange

it hurts. The grocery’s florist gives a short lecture on pain: to stay alive, blooms require fresh cuts. I imagine you asking what no child would ask: What does this prove? The lilies echo

the solar explosions a paintball makes on a surface. #Blessed is a yellow decal pressed on our neighbor’s front door. Hose nozzle hissing in my hand, I recall my high school French:

Je suis blessée. I am hurt. Once, it was a blessing to be close enough to be splashed by the blood of the sacrifice. To look wounded. Hence the word. Small bloom of dull red blood—

This morning, all I want is to look unharmed, to know you were meeting me at the mouth of this world. What to call that feeling in the mind like a magnet pulling toward the fridge?

Blessing  inches  toward  blessure.  A   green   beetle   hovers above  the  speckled  throat  of  a  lily.   My  longing  unfolds like a pocketknife. I am so close to answering you.

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Rosalie Moffett is the author of the poetry collections Making a Living (Milkweed Editions, 2025), Nervous System (Ecco, 2019), which was chosen by Monica Youn for the National Poetry Series Prize and listed by the New York Times as a New and Notable book, and June in Eden (OSU Press, 2017). She has been awarded a Wallace Stegner Fellowship from Stanford University, and her work has appeared in The American Poetry Review, POETRY Magazine, New England Review, and Kenyon Review, among others. She is an Associate Professor at the University of Southern Indiana, and the senior poetry editor for the Southern Indiana Review.

A brilliant and lithe collection of poems making space for the resolve and hope of motherhood amid consumerist dreams and nightmares.

Consumerism—its privations and raptures—seeps into all aspects of contemporary life. “Who knows me / as the search bar does, which holds / sacred its grasp of me / as a creature of habit?” probes Rosalie Moffett, reckoning with algorithms, with marketing and capital. But Making a Living isn’t just about the trappings of materialism—it’s also about the fraught trials of trying to bring forth life in a double-dealing America where all sources are suspect.

Shrewdly balancing the likes of Scrooge McDuck and HGTV, ancient Roman haruspicy and the latest pregnancy technologies, this collection arcs ultimately toward reinhabiting the present, refusing to look away—on seeing as a method of prayer and a power against capitalism’s threats to love, motherhood, reverence, and nature.

Vigilant and profane, gentle and generous, full of desire and cunning, Moffett’s poetry is a singular entry in our conversations around enduring modern life and daring to make new life in the process.

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