Broomtail Ballad

Eduardo Martínez-Leyva

June: the ants do what ants do to a wounded thing.They hunger. I do too. You’ll find me unabashedly bitingthe heads off flowers. Grinding the petals betweenmy crooked teeth. I’ve grown tired of metaphors.Of being pleasant. I’ve tried hard to forget about the boyshot down near the empty parking lot. The girls who keepvanishing in the desert, near dusk. Some found hog-tied,some not found at all. Each one still a prayer insidea mother’s mouth. A bead in a necklace they hold with their fists.Somedays, I forget the last names of the ones I’ve loved.Rub my hands together to conjure up heat, to remember.I’ve stayed up all night, pushing away my darkness.Outside, there’s a buck who walks around the cathedral grounds.Looking for lost fawns. Sometimes, I almost believe it’s you.Reminding me of my good fortune. Telling me to stayuntamed. Hell-bent. Soon, I’ll take the body of a man,a stranger, a good brother, on my tongue. Lord, deliver mefrom harm. Rid the fear in my throat. I want to believe.Wholeheartedly. I do. Without shame. Believe. One day.You’ll remove the smell of gunpowder from my skin.

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Headshot of Eduardo Martinez-Leyva

Eduardo Martínez-Leyva was born in El Paso, TX to Mexican immigrants. His work has appeared in Poetry Magazine, The Boston Review, The Adroit Journal, Frontier Poetry, The Hopkins Review, Best New Poets, and elsewhere. He’s received fellowships from CantoMundo, The Frost Place, the Fine Arts Work Center in Provincetown, the Lambda Literary Foundation, a teaching fellowship from Columbia University, where he earned his MFA, and was the writer-in-residence at St. Albans School for Boys in Washington DC. His debut poetry collection, Cowboy Park, was selected by Amaud Jamaul Johnson for the 2024 Felix Pollak Prize in Poetry and is part of The Wisconsin Poetry Series published by the University of Wisconsin Press.

Cover of Cowboy Park by Eduardo Martinez-Leyva

“Pain has an echo. Maybe the pursuit of pleasure is braided with that pain. And, of course, memory is difficult to outrun. In Cowboy Park, Eduardo Martínez-Leyva is like Orpheus at the lip of the Underworld, trying to rescue his own heart. His speaker is at the edge of himself, straddling the past and present of the body. The power of this book rests in an aesthetic swirl of cigarette smoke, cheap liquor, dust, salt, and sweat. Martínez-Leyva is unflinching, leaning into bitterness and beauty: ‘I wouldn’t lie. I shine. The way blood shines as it’s leaving the body.’ His artistry is capturing the arc between invitation and surrender, how song collapses to prayer, then pleading, then inevitably back to song. Sometimes, a poet dares us to not look away.”
—Amaud Jamaul Johnson

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