Supremely alive to the letterto the shifting temperature in attendance of breath of ceremony heartbeat footstep fugue statevarieties of action attuned to the moment in profoundunruly blush for the private distortion of a sentence safe-kept now a middle distance between twoverifiable fires in the axis of time earth afloat in the foam of it prosperinghost for lower vertebrates undead slow undead very fast for the sake of appetite afterlife alliance
“Waiting for the movie to open, Sunday afternoon, Pharr, Texas, February 1939” by Russell LeeLOC: LC-USF33-011978-M4; LC-DIG-fsa-8a25144
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“Citizen” from CARBONATE OF COPPER: by Roberto Tejada.
Published by Fordham University Press on April 1, 2025.
Copyright © 2025 by Roberto Tejada.
All rights reserved.
Reproduced by Poetry Daily with permission.
Roberto Tejada is the author of poetry collections that include Carbonate of Copper (Fordham, 2025), Why the Assembly Disbanded (Fordham, 2022), Exposition Park (Wesleyan, 2010), Full Foreground (Arizona, 2012) and Mirrors for Gold (Krupskaya, 2006). His writings on art and media history include National Camera: Photography and Mexico’s Image Environment (Minnesota, 2009), a monograph on the groundbreaking borderland artist from Texas, Celia Alvarez Muñoz (UCLA/CSRC; Minnesota, 2009) and a collection of essays on Latinx art and culture, Still Nowhere in an Empty Vastness (Noemi, 2019). Awarded a John Simon Guggenheim Memorial Foundation Fellowship in Poetry (2021), he is the Hugh Roy and Lillie Cranz Cullen Distinguished Professor at the University of Houston where he teaches Creative Writing and Art History.
New York, New York
Fordham University
Written during extended periods in Brownsville, McAllen, and Marfa, Texas, in Carbonate of Copper Roberto Tejada gives voice to unsettled stories from the past, as well as to present-day experiences of custody and displacement. The poems stage scenes adjacent to the U.S.-Mexico border and to the realities of migration warped by jarring political vitriol, bearing witness to past and present-day hazards and sorrows wagered by those in search of asylum. So enabled, these poems make visible not only the infrastructure of militarized surveillance and its detention complex but also the aspiration to justice and mercy and the resilient self-organized order of time for migrants seeking human dignity while awaiting passage to the other side of the dividing line.
"The section titles of Tejada’s intense, harrowing new book are derived from place names, as though the poems marked some sort of periplus, an account of a journey. And indeed, Tejada initiates a journey that begins in the familial and radiates into a world of 'missing through-lines,' surveilled borders, of sequestrations and dispossessions. Perhaps more significantly, it is the kaleidoscopic originality of Tejada’s language, its at once precise and vividly sensual chthonic glow, that lights the way for the reader’s own journey by insistently 'propelling forward a hope.'"
—Forrest Gander, author of Mojave Ghost
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