[come we know the water…]

Sabine Huynh
Translated from the French by Charlotte Mandell

come   we   know   the   water   the rain  waits  for  us  it  will  stream from   our   foreheads   to   our   eyes to our lips to our necks to disappear  where  our  hands  will go  to  seek  the  heat  and  burning of  bodies  where  our  tongues  will go to lap the source of a world begun  again  come  it’s  the  perils of the sea it’s the eternal it flies butterflies everywhere above below inside it comes and goes and only arrives   and   belongs   to   us    come

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Headshot of Sabine Huynh
Photo:
Miriam Alster

Sabine Huynh is a Saigon-born French poet, novelist, essayist and literary translator who has lived in many different countries, including France, where she grew up. She has published a dozen books. Her poetry collection Kvar lo won France’s 2017 CoPo Poetry Prize, and her novel Elvis à la radio won the 2023 Jean-Jacques Rousseau Prize for Autobiography and the 2023 Prize for Exile Literature. She has translated over twenty-five books, mostly poetry collections, including works by Gwendolyn Brooks, Laynie Browne, Carla Harryman, Rodger Kamenetz, Ilya Kaminsky, Ada Limón, Uri Orlev, Alice Oswald, Diane Seuss, and Anne Sexton. She won the 2022 Alain Bosquet Poetry Prize for her translation of Kaminsky’s Deaf Republic. Three of her books have been translated into English by Amy Hollowell: Pen Mark on Soft Paper: A Letter to the Poet Allen Ginsberg, Into the Turning: Emptyfull Poetry, and Setting Sail: 60 Sonnets for the Boat People. Her poetry collection Herbyers was a finalist for the 2024 Guillaume-Apollinaire award, the oldest and most prestigious French poetry prize.

Headshot of Charlotte Mandell
Photo:
Tim Davis

Charlotte Mandell has translated over fifty books from French into English, including Mathias Énard’s Zone, a novel written as a single 517-page sentence, which was awarded a grant by the NEA in 2010; Jonathan Littell’s The Kindly Ones; and Maurice Blanchot’s book of essays, Faux Pas, which was awarded the Aldo and Jeanne Scaglione Prize for a Translation of a Scholarly Study of Literature for 2001-2002 by the Modern Language Association. Her translation of Compass by Mathias Énard was shortlisted for the Man Booker International Prize in 2017 and received the National Translation Award from ALTA in 2018. A complete list of her translations is available at her website: http://www.charlottemandell.com/.

In May 2024, she received the Thornton Wilder Translation Prize from the American Academy of Arts and Letters. In April 2021, she received the honor of Chevalier de l’Ordre des Arts et des Lettres from the French government. She lives in the Hudson Valley with her husband, the poet Robert Kelly.

The dense texts in Speaking Skin—small squares, like beds, or jewel caskets—explore the intimacy of language: the book begins with the narrator having lost her voice, her language, as well as her connection to her own body; gradually she rediscovers language through touch, through physical connection with the other, who speaks a different language; the two languages/tongues intermingle and form an entirely new tongue of intimacy and awareness. “There are doors under the skin” which language opens: new words are born, language and thought become one, skin learns finally to speak.

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