Coming Out in Dublin, 1980

Kathy Kremins

Rose parades me to the bar like a prize,a wild American with her first passportand appetite for the angles of discovery,huddling at a dusty corner table on wobbly chairsto meet Irish women at Ryan’s Pub where,most nights and afternoons, a sparse clump of mengrayed in their sameness spit anger at their lives,leave wages on the counter,go home to rage some more.On Sunday nights at Ryan’s Pubqueer women struggle to utterwords that resemble lovelike so much else unsaid in Ireland.There is distance here—as if desire hasn’t been born yet.Clinks of glass on wood andsuspended hum of female inflection,tables are fullbut weight is lacking.No music and no dancing,faces framed in a halo of dirtpainted on a pale wall,posed in their doubt.And these women in their curious attentivenessexpect me, an American with a mind and bodybut without a soul, to radiatethe sex of languageso they might connectbeyond the bitter beer, sticky tables, andcold dampness of a cellar barin the shadow of St. Colum’s Church,so that someday they might dance away from shameto the turning of a naked womanCeltic cross tattooed on her breast,skin dusted with smoky peat,sweet grass, and crackling air.

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Color image of Kathy Kremins' side profile.

Kathy Kremins is a poet, photographer, and independent scholar. She is a retired NJ public school teacher and coach and holds a doctorate from Drew University. Her first full-length book of poetry, The Curve of Things, was published by CavanKerry Press in May 2024. Her second collection, Sipping a Cloud, was published by Read Furiously in April 2026. She has three poetry chapbooks: Unrehearsed with Toma Zbrizher (Two Key Customs, 2025), Seamus & His Smalls (Two Key Customs, 2023), and Undressing the World (Finishing Line Press, 2022). She is the author of The Ethics of Reading: The Broken Beauties of Toni Morrison, Arundhati Roy, and Nawal el Sadaawi (2010) and an essay contributor to Too Smart to be Sentimental: Contemporary Irish American Women Writers (2008). She is also an editor for NJ Audubon Magazine. www.kathykremins.com

The Curve of Things takes shape in this book—a woman’s full hips but also a rolling mountain, water’s soft bend, or the thrum of Irish immigrants living at the hard edges. With all their music, these poems feast on queer love, mapping loss and liberation, exploring her beloved’s scars, and the knot of kinship that remains even when lovers part.

"Kathy Kremins’ debut full-length poetry collection leaves me wet. Wet in my longing to discover all the places and things—'a new moon, an old wooden barrel, / your hands cupped,' wet for what we didn’t know before we knew 'the sculptor’s fingers' and 'the spotted salamander,' wet for all the geographies the speaker crosses and caresses with unabashed gratitude and grace, wet in my daydreaming of all the ways lovers and family and friends break and bloom in each other’s company like a 'blue morning off the foothills / before the sun rises.' Never linear and always loud in its wanderlust, The Curve of Things is a manual for living truth, an unapologetic how-to on loving humanity in all its delicate, delicious, and dissettled forms."
—Marina Carreira

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