Remember that short dusk:a cod skirted around the groove—it was certainly a slippery hopeto the rock—I’d seen it dancing.But I couldn’t spyits spine when the sun spun.And now in the freezer,It’s a cold ghost that doesn’t shrink.It has no clue why it builds frost—Fish speak fear in an emotional fever;they’d move to warmer waterto have their temperature raised because they burnup in stress. Like me,they can suffer—Before I lay my hands to rinsethe cod and skewer its gill,I want to feel, again, with my bare fingers—the estranging, flimsy, long-sighed drip of damp—You’ve travelled a long way.I am sorry.
Contemplating the Cod
Belle Ling
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“Contemplating the Cod” from NEBULOUS VERTIGO: by Belle Ling.
Published by Tupelo Press on April 24, 2025.
Copyright © 2025 by Belle Ling.
All rights reserved.
Reproduced by Poetry Daily with permission.
Belle Ling was born and raised in Hong Kong. Her poetry has been recognized by the Peter Porter Poetry Prize (co-winner), Arts Queensland Thomas Shapcott Poetry Prize (honourable mention), Puncher and Wattmann’s First Book Prize (shortlist), and the Brittingham & Felix Pollak Prizes in Poetry (semi-finalist). Her work appears in World Literature Today, Atlanta Review, Chicago Quarterly Review, Australian Book Review, Meanjin, Overland, Cha: An Asian Literary Review, and elsewhere. She holds a PhD in Creative Writing from The University of Queensland. Her debut collection, Nebulous Vertigo (Tupelo Press, May 2025), was selected by the Australian Book Review as one of the Books of the Year 2025.
Nebulous Vertigo, a debut collection of poems from Belle Ling, is a gentle whirl of undulations inviting us into a transcendent realm. The realm, both visceral and vibrant, is mysteriously familiar. If you come close to it, you will hear how rains eat, how a silken tofu revolts, how the Chinese word of “beans” turns into a speaking persona, and how a telephone bridges the surviving and the afterlife. The everyday life, in Nebulous Vertigo, is inevitably lost to the inevitable fate. And yet–with unexpected quivers, our fate and life keep surprising us, so we need to stay moving “unless pushed or pulled.” Travelling through the cha chann teng in Hong Kong, you can hear how Mrs. Suen, Mr. Yuen, and Waiter Kuen carry out intriguing conversations; astounded by the night sky in Paris, you will see how constellations narrate the lovers’ quirky destiny; and all way through the Sayama Hills in Tokorozawa, you will be surprised by the turnings and upturnings of the myths told by a Japanese Uncle. Nebulous Vertigo, as its title beckons, “sighs an unreal cloud / for the fated sun to rise.” If fate can never be changed, how can we embrace its weaving? Every attempt, as the poems suggest, can be calmingly adventurous, unobvious yet magnanimous.
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