Dear Gravity,

Rebecca Aronson

Let’s say we begin and end with questions, and putting asidefor now those associated with being born: my fatherin his bed is a wrinkle among thin blankets. His breathan engine turning over. His arms go up sometimesin his ungentle sleep as if to protect the eggshell of his skull,as if he is hiding under the desk of the worldand the sirens have begun to blare. Dear Gravity,I cannot say he doesn’t float, despite this heaviness.He drifts in a half sleep, speaksin a half tongue; such dreaming only the dying can do.The meat he asks back to his bare boneswon’t come from soup or cups of puddingcajoled into the red gap of his open mouth, which has gone looseas a broken hinge. One one one more only, thisthe very last, the nurse says, spoon tilted, her own hips straightand solid, someone so planted in the worldit would take a violence to uproot her. My fatherboth sinks and soars in his dry, thin paper skin.His lips are red and dark and rough;despite such poverty of moisture, they demarkthe entrance to the watery cave of the body. The lexicon of questionsis poor in relation to that vast tunnel,the red and slightly pulsing tunnel beyond the ivory markersof his rotted porcelain teeth. Wherein that disintegrating labyrinthis the him that is? Not the lights that flashand blink on the body’s dashboard, notthe automatic systems that stutter alonguntil they don’t. Not even the voicethat sometimes booms out orderssurprising the muddle of confounded mutters,the litany of small refusals whispered hoarselyin the direction of the lamp’s plastic-wrapped shade.What is left, Gravity, after the body has been turned to ashesand after his imprint and stinkhave been replaced by someone else’s and after,even, the words have been spoken amongfriends and family and the catered panini cleared finally away,after the urn has been placed on a mantel,where will he be? Not anywhereanyone’s hand can reach for his own,which rests yet on the blanketand through which runs a live blue vein like a mountain range at duskseen from very far above.

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Rebecca Aronson is the author of Anchor, forthcoming from Orison Books 2021, Ghost Child of the Atalanta Bloom, winner of the 2016 Orison Books poetry prize and winner of the 2019 Margaret Randall Book Award from the Albuquerque Museum Foundation, and CreatureCreature, winner of the Main-Traveled Roads Poetry Prize (2007). She has been a recipient of a Prairie Schooner Strousse Award, the Loft’s Speakeasy Poetry Prize, and a Tennessee Williams Scholarship to Sewanee.  She is co-founder and host of Bad Mouth, a series of words and music. Find her at

Fall 2019

Windham, Maine

Melissa Crowe

Associate Editor
Rachel Contreni Flynn

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Mark Crowe

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