Dear Millennium, a Jade Rabbit on the Far Side of the Moon
We sent a rover called Jade Rabbit to the far side of our moon,the other side of hiddenness as it faces away from this world,where cotton seeds sprouted at first, but don’t expect the moonto change into fresh cotton fields soon, thanks to airlessness –minus subzero in microgravity, absolutely freezing up there.The spacecraft which carried the rover was named for a ladywho drank the elixir of immortality and floated to the moon.She was the same lady who married the archer who shot nineof the ten suns scorching the earth. As a little girl, I wonderedif the lady was bored out of her wits from sitting on the moon,a blanched, cold place without almond cakes or green cheese.The moon is not made of jade, either. Of course, you can’t eatjade, but it is soothing to hold. Meanwhile, the moon’s far sidelies in utter darkness due to tidal locking, not what it sounds –actually the moon’s orbit and its rotation are not about oceansthe way we feel the ebb and flow of their familiar nocturnes.The darkness is more about not knowing what else is there.It is also not quite the opposite of what we do see, however.Don’t expect that the moon will turn into cotton fields soon.It is not made of mutton fat. Neither cassia trees nor rabbitsdwell there. On the far side, we find what we already know –that seeds cannot survive in such weather, and sadly, we getno closer to knowing God in doing so, not even in reachingout to graze the edges of the farthest stars, dear millennium,when God is shooting valentines of love into jaded heartswhere strings hold our atoms of flesh together, for now.
Feature Date
- September 30, 2024
Series
- What Sparks Poetry
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“Dear Millennium, a Jade Rabbit on the Far Side of the Moon” from The Beautiful Immunity by Karen An-hwei Lee.
Published by Tupelo Press in May, 2024.
Copyright © 2024 by Karen An-hwei Lee.
All rights reserved.
Reproduced by Poetry Daily with permission.
Karen An-hwei Lee’s recent poetry collections are The Beautiful Immunity (Tupelo Press 2024) and Duress (Cascade Books 2022). Her writing has appeared in Kenyon Review, Iowa Review, Washington Square Review, Image: Art, Faith, Mystery, and been anthologized in Best Spiritual Writing and Pearson’s Literature: An Introduction to Fiction, Poetry, Drama, and Writing (14th Edition, ed. by X.J. Kennedy and Dana Gioia). Lee has received a National Endowment for the Arts Fellowship, the Glenna Luschei Award from Prairie Schooner, and the Norma Farber First Book Award for In Medias Res (Sarabande 2004). She lives in greater Chicago.
“Is there a purer lyricist in contemporary American poetry than Karen An-hwei Lee? The Beautiful Immunity is in part a meditation on the lyric tradition, built around the contention that ‘Modes of witness / expose our inadequacy, the human,’ and in part a revel inside that same tradition, an opulent feast at the table set by the five senses and the mind and heart they serve. To speak opulence, to praise with a lavish tongue: this is the beauty of Lee’s singular vision, as it is also a pledge of her faith in both Giver and given.”
— G.C. Waldrep
“In this ringing and consummate work, Lee reconnects us with Christianity’s foundations… demonstrating that adamant hope can translate into vigorous action through language applied in the most incisive and persuasive ways.”
—Cole Swenson
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