buy the oysters anywayeach night you spendin the city and not homein an apartment alonecosts upwards of fifty dollarsand for what it’s worthoysters are mostly labora man at a countercrushed ice this skillnot out of place in a Whitmanpoem what you wantin an oyster is immediacybrine of a small oceanand the time to occupythe texture and materialof this one moment of yourlife the brightness in the darkred leather banquettes ginand lemon silk suedeand weather the refractionsin the water it isn’t right exactlyto want what money has
Debt Ritual: Oysters
Katie Naughton
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“Debt Ritual: Oysters” from DEBT RITUAL: by Katie Naughton.
Published by BUNNY on February 4, 2025.
Copyright © 2025 by Katie Naughton.
All rights reserved.
Reproduced by Poetry Daily with permission.
Katie Naughton is the author of the poetry collection The Real Ethereal (Delete Press, 2024), and the chapbooks Debt Ritual (Fonograf Editions Bunny Press, 2025), A Second Singing (Dancing Girl Press, 2023), and Study (Above/Ground Press, 2021). Her poetry has been published in Fence, Bennington Review, Colorado Review, Michigan Quarterly Review and elsewhere. She is a doctoral candidate in the Poetics program at SUNY – Buffalo and currently lives in Brooklyn.
Winner of the 2023 BUNNY chapbook contest, Katie Naughton’s Debt Ritual sees debt as intensely private yet nevertheless significantly interconnected with global financial systems and other systems of power. Naughton’s text is interested in the way that what appears as money is often funded by debt, while also taking into account the role of art, something that offers social capital without the accompanying wealth.
"Living as we do in a world shot through by financialized capital, a poet wonders: is this debt a thing, mine, a private burden, stones in so many pockets, or is it a ritual so common it devolves into the habitual? Is it a credit card balance we look at only in a darkened room, or is it some stuff of the public, a substrate of the present, material for social being? In these poems, Katie Naughton lays opaque, because so layered, our multifaceted encounters with debt—that delayed, accumulated, promised, threatened, desired, feared form of value that is somehow both not-yet and present, burying you. She touches on the ways debt continually touches us, an inescapable thing that’s not really a thing but also, inexplicably, hauntingly, is."
—Travis Sharp
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