Hey There, Coyboy (excerpt)

Logan Phillips

But look. My queerness is like my cowboyness. It’s just there. I don’t need to always wear my boots to have been born in Tombstone.

So many people I love hold their queerness central to their identities, and I get it, I love it. Be visible and unapologetic and let motherfuckers get cut just looking.

But   do   I   get   to    call  myself queer?    I   mean    I’m     partner       to  
{ a person who also questions the assumptions     of      being      called      }
a woman, we have kids. I’m a youngfather. I pass. I get a pass. I rarely get called out on the street. Most of the men I’ve loved were beyond my reach. So just who do I think I am? There’s so many lines in the sand.

I don’t know what to tell you, other than I want to buy that man a beer.

Ask how come he got his picture in the paper. We’ll talk about the land. About saguaros because why not? We won’t face each other because then we might have to fight. Instead we’ll gaze into the hazy mirror behind the bar, glances bouncing between the ornate liquor bottles, the giant odalisque hanging over us. The jukebox will play the right songs at the right times without us having to touch it. The place will be mostly empty. Late late afternoon.

We’ll head outside for a smoke, bring our beers out with us. End up climbing to the ridge of a tailings pile to get a better look at the world.

The sun will sink, and our fingers will wind like barbed wire. Fuck the maps. It’s 1983 in a ghost town, and we’re about to be born.

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Black-and-white headshot of Logan Phillips
Photo:
Lance Thorn

Logan Phillips is a writer, performer and cultural worker, appointed Poet Laureate of Tucson, Arizona in 2026. He is author of the books Reckon (University of Arizona Press, 2026), Sonoran Strange (West End Press, 2015), and the ongoing NoVoGRAFíAS series (Artspeak Press). Phillips is known for compelling, bilingual readings (English / Spanish), and multimedia performance art pieces, which have been featured at festivals in the US, Mexico, Colombia, the UK, and Germany. Holding collaboration as a core creative practice, he has contributed to a wide range of publishing, music, education, and community-centered, land-based projects. More at dirtyverbs.com and @dirtyverbs.

In Reckon, artist Logan Phillips returns to the fabled town to face the history he was raised on as a boy—gunfights, outlaws, and Hollywood cowboys—for a new, personal confrontation with the West’s foundational mythology. This hybrid memoir also explores sexuality, masculinity, parenting, and what it means to love a land rife with contradiction and “slathered in murder.”

“'This isn’t poetry, this is the news.' I’ve never read a book like Logan Phillips’ Reckon. It’s almost not accurate to call it a book—it transcends genre, mixing history, personal narrative, myth, memoir, and poetry. Here is an 'American' truly reckoning with his family’s past, the country’s past, and in the process, creating a roadmap for others to follow. Through Reckon, Phillips has given to us an alchemical text. Not only do we bear witness to a singular life in a singular town in a singular world—which, in itself, is powerful; we are also shown the larger implications of what empire does, what patriarchy demands, and what whiteness erases. Reckon illuminates all that tries to hide—and then, with love and determination, invites us all to help keep it in the light.”
—Javier Zamora, author of Solito: A Memoir

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