My mother fell in love with the way you crackedinto an urchin. How you kept the blade along its purple skull until it welcomed youanxious to be separated for the first and last time.Listen—from our window we can hear the Southern Pacific fume in the station. The turquoise room in the pleasure dome is only for the long-fingeredand bored, so come with me and climb onto the roof.Sometimes, I remember best when I put my back to the warmcinderblock, other times I have to reach my arm across your shoulder to find where you end. Darling, if you find me firston the desert road I strung together with pins of lightor in the aqueduct blooming with graffiti, this is where the sweet rot of leaves is coming from, where the colony of urchins swarm beneath the dock, where the twirling blades of the Black Hawk lift your hair.We have been careful not to admit that we have wolves in parts of our homewe no longer visit. We have been careful to ignore the infinite snarling of daytime, so come up for breath and forgive me nights you can’t sleep.Yes, I will keep my ear to the floorboards and listen closelyfor the sound of her parts assembling. Her lonesome days are spent at the oceanfront, the place where she drags out her dead.I’ve brought you a canasta of strawberries,the marble kind of gift from your childhood. These things have been outside your reach until now.
How to Cook a Wolf
Probably one of the most private things in the world is an egg
until it is broken.
-M. F. K. Fisher
Feature Date
- March 12, 2025
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“How To Cook a Wolf” from QUERIDA by Nathan Xavier Osorio, © 2024. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260. Used by permission of the University of Pittsburgh Press.

Nathan Xavier Osorio’s debut collection of poetry, Querida, was selected by Shara McCallum as the winner of the 2024 Agnes Lynch Starrett Poetry Prize and published by the University of Pittsburgh Press. He is the author of The Last Town Before the Mojave, selected by Oliver De la Paz as a recipient for the Poetry Society of America’s 2021 Chapbook Fellowship. He received his PhD in Literature from the University of California, Santa Cruz and was a Chancellor’s Postdoctoral Fellow at UC Irvine. His work has also appeared in BOMB, Gulf Coast, The Rumpus, Boston Review, Public Books, and the New Museum of Contemporary Art. His writing and teaching have been supported by fellowships from the Fine Arts Work Center, The Kenyon Review, and Poetry Foundation. He is an Assistant Professor of Creative Writing at Texas Tech University.
Querida offers a place-based lyrical meditation on the poet’s immigrant parents, collective memory, language, and family in the San Fernando region of Los Angeles, California. Through a constellation of interweaving persona poems, confessional reflections, imagistic portraits of people and places, and decolonial poetic rituals—braided with a crown of sonnets—a choir of speakers navigate the fraught inheritance of memory frayed by the generational trauma of migration, coloniality, and the exploitative labor of late-stage capitalism. Swaying between maximalist and carnivalesque textual decadence and sparse, brutalist, bilingual inquiries into language as yet another exploitative and extractive tool for control, these poems honor familial and community wisdom as the only way to survive the steadily destabilizing Capitalocene.
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