In Which Water Becomes Audible

Haley Bossé

To begin negotiations,What do you say,               as in,Please submit               a proposal14 words                     or lessTo be                      allowed to splinterIn.                  Would you be amenableOr                would you be a man about it,As in             would gender constructsBe a part         of the deal?Even sent-ient lands           can’t unmake meTrans, so let’s           make a pact:I’ll be your hue                of man &You can be my fall           -ingWater. Drink from my         I& I’ll return as precipice.We’ll be a cycle, unbroken,Breaking across the landscape—whoops,I didn’t mean to objectify you like that,This is my first time synchingWith a reclaimed break;Stanzas don’t count, only spitTheir melodies behind our backsAnd laugh when we thinkThe song might be over.This is my first timeAs a man of the woods,Man of the house, thisIs the first movementOf recomposition,The water I am,The steam I could be.First,            they asked to see my secrets, sent                            a survey crew of hard            accents, soft leather shoesto ask History to spill her guts.              Next came coffee, meal                            replacements, trucks,                                     tools, pipes. They dug                  deep lines into their hands, they asked    for time off, disability wages, didn’t            get it, got deep enough to suck                                air out and left. Sometimes      we forget a hole          without a tongue can sing,but let me ask you something: did you come              to stay? Rephrase: a hole is a hole                      is a place for something new                              and you seem caterpillared in                        your fuzz, liquefying body parts,                 fatigue. Come wrestle with me.Don’t worry, you can be                 planted without harvest,                                a fruitless tree or bitter root.              Seed yourself in rot displayed,                        rest your palms against my walls and push,                                        touch nothing here but heat.

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Black and white headshot of Haley Bossé

Haley Bossé (they/them) is a poet and image:text artist. They live on the lands of the Cayuse, Umatilla, Walla Walla, Kalapuya, Chelamela, and Winefelly Peoples. Haley is concerned with ecological, social, planetary, and bodily systems. They are a founding editor of the Monarch Queer Literary Awards, the editor of Eye to the Telescope: (Non)Binaries, and the founder of the Oregon-based Mycelial Writers Workshop. Haley is a McCormack Writing Center, Sundress Academy for the Arts, and Tupelo 30/30 Project alum. Their writing has been nominated for the Pushcart Prize, Best of the Net, Best Microfiction, Genrepunk’s Haunting Award, the Dwarf Stars Award, and the Rhysling Award. Haley’s first book, Aurora Comes Online is available now from Game Over Books!

Aurora Comes Online is a queer self-discovery chapbook for the age of chatbot girlfriends. Haley Bossé’s poems weave together video games, early 2000’s revenge horror, coding, and sentient landscapes as they explore compulsive femininity, sexualization, and what it means to break your mold. Aurora Comes Online was written without the use of AI.

“In their wonderfully experimental debut Aurora Comes Online, Haley Bossé reveals the very thin line between our physical and virtual lives, these liminal spaces in which ‘coded eyes blink’ and suddenly, ‘we thing it:/We can’t stop writing it alive.’ Between the desire for true creation and dubious simulations that we long to be real, we are led by Aurora, who unravels the strangeness of being alive in the 21st century in language ‘lighter than light…consonants crescending/In a synchrony.’ There is so much joy to be found in Aurora’s journey, as we join as hopeful, curious readers who give into the wonder of Bossé’s imagination, all of us ‘Falling once, twice, three times/Until the mammoth gives way.’”
—Rosebud Ben-Oni

“I am obsessed with the rigorous yet porous forms that shape this incredible debut and offer the reader such concision and flexibility. Haley Claire Bossé is our Virgil through the malware of our gender programming. I am at once haunted yet happy to be led, to look around inside." 
—grace (ge) gilbert

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