until you realize no one else cares about the new Mission Impossiblemovie. It’s safe to walk alone at night. Past the park where the BostonSymphony Orchestra plays, via livestream, to a crowd of picnicblankets, to the ice-cream stand, and back.The best week of my life was the week I discovered Talking Headsand weed. And the documentary about the grown-up boy-evangelist,preaching for money. And now I’m bored.Annoying: the car that pulls up next to me in traffic playing, at fullvolume, seagull noises. I flip the sign in front of the free fruit tray thatsays TAKE SOME! And write:THIS IS A RECIPE FOR BUGS. Tonight’s the opposite of a fullmoon: an empty moon.People are bad. Except the one girl I saw pause to throw the tennis ballback over the fence.The fruit tray’s gone the next day. Then there’s a bird’s nest in the Oof the Taco Bell sign. I wait, listening for baby birds.I can hear the employees arguing about colorism. It makes me think,maybe the seagull sounds were just the sea. Does that make sense?That’s how bad of a mood I’ve been in.If you forced me, I would say thank you to the Neanderthals, but onlyfor inventing kissing.Doesn’t pith sound like a poem word? I peeled pith from my orange inthe dark theater.
It’s So Idyllic Here
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“It’s So Idyllic Here” from JOY IS MY MIDDLE NAME: by Sasha Debevec-McKenney.
Published by Fitzcarraldo Editions in August 2025.
Copyright © 2025 by Sasha Debevec-McKenney.
All rights reserved.
Reproduced by Poetry Daily with permission.
Sasha Debevec-McKenney is the author of the poetry collection Joy Is My Middle Name. She received her MFA from New York University. She was the 2020–2021 Jay C. and Ruth Halls Poetry Fellow at the University of Wisconsin and a 2023-2025 Creative Writing Fellow at Emory University. Her poems have appeared in places like The New Yorker, The Yale Review, The Drift, and Granta. She was born in Hartford, Connecticut and is currently an Assistant Professor of Writing at Grand Valley State University.
Joy Is My Middle Name documents crawling through your twenties and emerging into your thirties. Walking uneasy cities and rural towns, talking about sex, race, womanhood, addiction, sobriety, consumerism and pop culture, these poems pull at the edges of the performed self with conversational ease.
Joy Is My Middle Name is a mantra, motto and winking forewarning in this magnificent debut. Humour is juxtaposed with heartbreak; the weird tenderness of an “ankle break support group on Facebook” is juxtaposed with civil war amputees. August Wilson, Jenny Holzer and Amish girls make cameos. A poet with the capacious charms and chops of Sasha Debevec-McKenney comes around once a generation or so: Morgan Parker, Wanda Coleman, Frank O’Hara. Joy Is My Middle Name is bold as hell. It’s revitalizing.
— Terrance Hayes
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