Asphalt covered half the street; the rest wasovergrown with sunberries we ate. At the sound of a horn,we ran to the car; in its bluish smoke, we sawour future like a 3-D film. When my friendJC tied his feet to the back bumper of a jeepto sneak a ride, its engine started;market people screamed as his bleeding headwas dragged for a hundred yards.Our most daring venture was to the mountain caveto dig out bullets for spinning tops’ axles.But we had to cross locals’ territory—my foreheadstill bears the scar of a thrown stone.These road brawls ended when someonein the cave shouted: Corpses!—soldiers in a mass grave.Yet, those were carefree days. Dropping by any houseat mealtime, I ate with them if they laid me a place—if not, I played next to their dinner table.House doors were left unlocked:what thief would steal an empty bag of rice?In summer, we slept in the public pool’s storage shack,no parents looking for us.It was the children’s utopia: what we didn’t have,we didn’t need. Even now, walking my suburban streetlate at night, I snoop around for remnants of those days:that sour tailpipe smoke must be a shimmerin the air somewhere on Earth.
Kids Running After a Car
after the Korean War
Feature Date
- July 6, 2025
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Copyright © 2025 by Hee-June Choi.
All rights reserved.
Reproduced by Poetry Daily with permission.

I am the author of three poetry books in Korea. My work has appeared in Korean poetry magazines and journals since the late 1990s, and in the JoongAng Daily, a top-three newspaper by circulation, in Korea. After retiring from the semiconductor industry in Silicon Valley, I began writing my poetry in English. I have seen my works published in Pleiades, New Ohio Review, The American Journal of Poetry, The Rising Phoenix Review, Wilderness House Literary Review, and Red Wheelbarrow.

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Athens, Ohio
Ohio University
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New Ohio Review is a national literary journal produced by Ohio University’s Creative Writing Program. Now in its tenth year, NOR has been the recipient of a National Endowment for the Arts grant and support from the Ohio Arts Council. Work from its pages consistently appears in the Best American series and the annual Pushcart anthology.
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