Kingdom

Brian Gyamfi

The movement of a fly becomes a rational thought—
there are boys and then there are boys —                       men walking between the thighs of a creek

Their priestly clothes left in a young boy’s hand.
In a creek, all men are made into animals.

If I speak for my brother,
I must walk on water

and drown the beast of my mind.

In Utica, New York, the pigeons mount each other
despite bread being split open and thrown their way.

I understand sex.

The undressing of a mountain.                  The dance the pastor dances at the altar.
My brother naming God, as he wrestles, yes, an angel.

It is said, Jesus killed fleas to save his dog.
Even a boy must perform acts of sadism.

My brother performs an act of a sadist king.
He bites my fingers to speak.

The congregation watches the pastor spread a boy
across the floor like jelly. There is a gasping—a rain of fire

a blockage in my brother’s throat—a subtle mercy
of a boys teeth touching air.

The pastor rides stillness as the body decays from a moment into the next.

Do not be afraid.

The congregation watches
the pastor peel my brother’s wound like an apple.                              He’s now a fruit—
prophesied to outlive Adam.

I am burning like a bronze statue                                     cast to the temperament of God.

In the prose of morning, I wake to utter: I know, we’re holy.
We’re holy, I know. Dance more than necessary.

I once shoved wind into my brother’s mouth,
whispered in his ear, “the kingdom of God is a wild animal.”

On Judgement Day, when asked if I understood pleasure;                                     I answered no.
Have you given to the pastor—I answered yes.

I’ve loved, yes.
On certain days, I read the Psalms, and grow anxious.

Jesus must give again what he has already given.
Maybe he must kill another flea
to save the earth                                inside his body.

The creek brings men
who baptize bodies of boys.

I carry wine for a boy who mirrors water.
I forget how to wash my own hands.

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Brian Gyamfi is the author of What God in the Kingdom of Bastards. He is a recipient of the National Endowment for the Arts Literature Fellowship, a Pushcart Prize, the Zell Fellowship, and two Hopwood Awards. A finalist for the Oxford Poetry Prize and the Poetry International Prize, his writing has appeared in Poetry, Narrative, Guernica, The Adroit Journal, and elsewhere. He serves as a contributing editor at Oxford Poetry.

What God in the Kingdom of Bastards
University of Pittsburgh Press

Pittsburgh, Pennsylvania

University of Pittsburgh

A California Review of Books Best Poetry Book of 2025

What God in the Kingdom of Bastards is a poetic exploration of grief, memory, Blackness, and the haunting legacy of familial trauma by way of colonialism, told through the lens of two brothers: Lot, the elder, who is flesh and alive, and Frank, the younger, a ghost navigating his post-suicide existence. Their relationship anchors the collection, weaving themes of love, loss, and the arduous reconciliation between the living and the dead. Combining vivid imagery with fragmented, conversational tones of prayers, laments, and whispered confessions that are surreal and lyrical, Gyamfi delves into the ways trauma—both personal and systemic—permeates family, faith, and identity.

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