Landscape with footprints in ash

Selma Asotić

You must leave for the story to beginis what fairytales taught me.I left. My ghostsnow trail behind and weep. I try to comfort them.At night I place a bowl of milkon the terrace. I promisea trip to the sea. They disappear.When I’m alone in the roomall catastrophes are easily traceable.I bury my mind. Useless millchurning voices, plastic straws, bills,hands demanding to giveand give and give.My own hands I flingdown the river. At the estuarythey remember everything.In my headis a circle farm. If I die, this very moment,no one will finish what I set outto say. What will you do then,my misery? Already August. In heat,things expand. So do minutes.Fire swallows trees, entire forests.At some point, there won’t be anythingleft to burn. Firehas no future. What a relieffor the fire.

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Headshot of Selma Asotić

A Sarajevo-born, bilingual writer, Selma Asotić earned dual BA degrees in English Language and Literature and Comparative Literature from the University of Sarajevo, and an MFA in poetry from Boston University. She’s taught writing to undergraduates at BU and NYU, and ESL to adult learners in Bosnia and the US. Her first book of poetry was published in both Serbia and Bosnia and Herzegovina in April 2022 and was awarded the prestigious Stjepan Gulin Prize in 2022 and the Štefica Cvek Prize in 2023. The English version was released by Archipelago in 2025. She is currently pursuing a PhD in Comparative Literature at UMass Amherst.

"Selma Asotić's Say Fire arrives as a rare and mesmeric force, a fever dream of language from which one refuses to wake. 'Hear me speak . . . my voice / wide as daybreak'—and out of these utterances come stunned songs, poems vast in their reach. Say Fire is replete with restless ghosts and griefs, with rich desires, with wars that follow one 'through continents / in rugged caravans,' and with the charred landscape of collective memory. Paying rapturous attention to the realm of the unsayable and of what evades the clench of memory, Asotić’s lines are estranging and synesthetizing, to electrifying effect. Say Fire is sui generis, and Asotić’s talent is utterly unmistakeable."
—Jenny Xie

"In Say Fire, Selma Asotic’s masterful debut, the flames of language present a Mobius strip of history and memory and the never-endingness of war. 'How fast the shadows lengthen when you try to outrun them,' she writes. And while the outrunning may be impossible, the witnessing, with its hamster wheel of suffering, grenades and loss—and also love and tenderness and resolve—is not. In this arresting reckoning, Asotic writes: I think of you/ in as many ways as the rains falls. It’s a searing rain and fire she gives us, and an all-too-timely reminder of the untiring half-life and brutality of war."
—Andrea Cohen

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