Feeling the lonesome sky on a long drive home, you make it so First frost, and the Black-eyed Susans staring, apparently “Existence precedes Essence,” he said, we saySoon you will feel a foreboding in the Winter you have conceived pain in the belly, a weather map of the eastern seaboard, organ music grinding the Messiah, a boy building an igloo covered in powder—the wind howls ominously, see? Rain follows fire turns to snow of ash White, what have we done to civilization? There is no snowman you have not rolled from memoryNaturally, you can’t always be reasonable, Humanism is what humans do Wash the blood from your hands Walk to the distant farmhouse covered in crowsSpring, pack, make a pact, choose murder, lust, compassion, shame There is no such thing as not choosing
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From the atmosphere is not a perfume it is odorless by Matthew Cooperman. (c) 2024 by Parlor Press. https://parlorpress.com/products/the-atmosphere-is-not-a-perfume-it-is-odorless/
Matthew Cooperman is the author of, most recently, the atmosphere is not a perfume it is odorless (Free Verse Editions/Parlor Press, 2024) and Wonder About The, winner of the Halcyon Prize (Middle Creek, 2023) as well as NOS (disorder, not otherwise specified), w/Aby Kaupang, (Futurepoem, 2018), Spool, winner of the New Measure Prize (Free Verse Editions/Parlor Press, 2016), and other books. His ninth book, Time, & Its Monument, is forthcoming from Station Hill Press. A Founding Editor of the exploratory prose journal Quarter After Eight, Cooperman is Co-Poetry Editor for Colorado Review, and Professor of English at Colorado State University. He lives in Fort Collins with his wife, the poet Aby Kaupang, and their children. More info at http://matthewcooperman.org
"'Our job is to be both epic and tiny,' Matthew Cooperman writes in this powerful book-length poem full of turns and twists on the American long poem road. Cooperman meditates on and tracks our imperiled American democracy, and the precarious future it forecasts as he twines the political world with the challenges and beauty of family life. In the face of crises, he affirms the meanings of love and the ways in which the language of poetry can bring us truths that are shattering and brilliant."
—Peter Balakian
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