In basements atticsalleyways and tentsfugitive slaves poetsand griots discardedfetusesSeminoles from Songhay vodunqueens—all in drag, hitchingdodging state troopers behind shades searching forsafe housesuptight but cool:the tamthe aviator framethe propped cigarette andsinging:‘I was born in Georgia.My ways are underground. If youmistreat me,I’ll hunt you like a hound.’Lack of money produces atavism.But don’t be taken in your sleep now.Call your assassin’s name now.Leave signs of struggle. Leavesigns of triumph.And runcept don’t stop in Chicagoto give yourself up to a pimp. Leavesigns.And don’t be taken on the nod now.Arabs are only a temporary phobia. It’s a shorttrip from Nyack to the shores of Tripoli andback. Thewitchhuntisbuildinghere.Where you gon be when it come?Leave signs.And don’t get caught sleeping with yourshoes offwhile women are forced back to the shelter ofhomicidal husbandsrapists are forced to pay child support children oflesbians orphanedand blacks, browns, and tans herded intowire fences somewhere ’round Tucson.Listen for footsteps.Leave signs.Travel lightand don’t wait ’til morning.The terror is here somewhere inDetroit.And don’t sleep before midnight.And don’t fret over the Poles.We in the same fixwith the Pope’s position on lust andfamily protectiona storefront on every corner inManhattan.Don’t be a fool, now, cool. Imperialismby any other name is imperialism.Even Vietnam was finally over.It’s all the same—a-rabs, gooks, wogs, queers— anigger by any other name . . .Johannesburg is Jamesburg, New Jersey.Apartheid is the board of education inCanarsie.So, don’t be taken in your sleep now.Call your assailant’s name now.Leave the building empty thedoors unlockedand raise the windows high whenthey pass by.Leave signs of struggle.Leave signs of triumph.Leave signs.
Living as a Lesbian Underground
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“Living as a Lesbian Underground” from Archive of Style: by Cheryl Clarke.
Published by Northwestern University Press in August 2024.
Copyright © 2024 by Cheryl Clarke.
All rights reserved.
Reproduced by Poetry Daily with permission.
Cheryl Clarke is the author of the poetry collections Narratives (1982), Living as a Lesbian (1986), Humid Pitch (1989), Experimental Love (1993), By My Precise Haircut (2016), and Targets (2018), the anthology The Days of Good Looks: The Prose and Poetry of Cheryl Clarke, 1980 to 2005 (2006), and the critical study After Mecca: Women Poets and the Black Arts Movement(2005).
All of Clarke’s writings advocate for queer communities of color, paying attention to the social implications of language and the possibilities of art to stage resistance to dominant culture. According to Alexis Pauline Gumbs, “Cheryl Clarke’s life and work offer an enduring rejection of straight-ness and a constant reorientation to alternative space.”
Clarke was an influential administrator and teacher at Rutgers University for more than forty years. She founded what became the Office for Social Justice Education and LGBT Communities there and retired as the Livingston Dean of Students in 2013. Clarke lives in Hobart, New York, where she owns and operates Blenheim Hill Books with her partner and is an organizer of the Hobart Festival of Women Writers.
Evanston, Illinois
Northwestern University
Award-winning poet and essayist Cheryl Clarke’s illustrious career has spanned more than four decades and culminates in Archive of Style: New and Selected Poems, a long-awaited retrospective of the indelible work of a Black feminist, community and LGBTQ activist, and educator. This collection features carefully curated poems from Narratives: Poems in the Tradition of Black Women (1982), Living as a Lesbian (1986), The Days of Good Looks: Prose and Poetry 1980-2005 (2006), By My Precise Haircut (2016), and Targets (2019). Together these works show a brilliant thinker who has profoundly impacted generations of writers and activists.
Clarke’s poetry and essays, centered around the Black, lesbian, feminist experience, have attracted an audience around the world. Her essays, “Lesbianism: an Act of Resistance” and “The Failure to Transform: Homophobia in the Black Community” revolutionized the thinking about lesbians of color and the struggle against homophobia. Her poetry and non-fiction have been reprinted in numerous anthologies and assigned in women and sexuality courses globally. Having published since 1977, Clarke and her work have become a foundational part of LGBTQ literature and activism. Archive of Style is a celebration and homage to one of American literature’s Black Women literary warriors.
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