Lockdown at the School for the Deaf

Sara Nović

Yesterday, my son taught me the sign for lockdown—different than locking a door,or the shutdown we invented at the startof the pandemic. Little fistfuls of locksswept quickly between us, a signdesigned especially for school.My son spent his first years a different kind oflocked up—an orphanage in Bangkok, where he didn’tspeak and they couldn’t sign. He came home, age four,silent. We thought being here could opendoors. It has, of course. He’s learned so muchat the deaf school; the speech therapist calls it a LanguageExplosion. I keep lists of the words he’s gathered:vanilla, buckle, castle, stay. Andlockdown. He absorbs it like the rest. Now the schoolshe builds with Magna-Tiles have lockdowns. I worryin trying to give him keys, we’ve only changed the locks.To lock down a deaf school, we use a special strobe.When it flashes, we flip switches and sign throughdarkness. The children know to staybeneath the windows. Every five minutes a robot texts:“Shelter in place is still in effect. Please await furtherinstructions.” Then we pull the fire alarm, a tactical move tounsettle the shooter. Hearing people can’tthink with noise like that. A piercing thingwe don’t detect, to cover the sounds we make, the soundswe don’t know we’re making.

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Sara Nović is the author of the New York Times bestseller True Biz, as well as the books Girl At War and America Is Immigrants. She holds an MFA in fiction and literary translation from Columbia University, and is an instructor of Deaf studies and creative writing. She lives in Philadelphia with her family.

Charlottesville, Virginia

University of Virginia

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Allison Wright

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Gregory Pardlo

From its inception in prohibition, through depression and war, in prosperity and peace, the Virginia Quarterly Review has been a haven—and home—for the best essayists, fiction writers, and poets, seeking contributors from every section of the United States and abroad. It has not limited itself to any special field. No topic has been alien: literary, public affairs, the arts, history, the economy. If it could be approached through essay or discussion, poetry or prose, VQR has covered it.

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