Mistress of the Blue

Kamau Brathwaite

The title of the poem, "31: Mistress of the Blue," written in blue text, followed by a black and white ying yang symbol. The first letter of the stanza is enlarged. The font is specialized. The text has occasional alternative spellings. The text reads: "They have entered yu thru the five orifices / of yr house.  destroying yr flesh and yr venis / yu must wear blue against yr skin and protect what's left / of yr vision w/this dissennence of dew / Avoid mirrors especially large one that may be mirrows / where their mokos lurk w/in their dangerous shorelines / I will test yr blood to determne what they have been make yu drinkin / This eVil has been going on for too long a time w/in yr spirit-corners / and I am not too sure that I can save yu now but I will try salvage / the what's left of the wine of yr astonishment and the soil / passages inside yr body languages". The first letter of the stanza is enlarged. The font is specialized. The text has occasional alternative spellings. The text reads: "We will not speak each other any further / It wd be better to employ some person that I do not know / to walk between us w/the mkissi and the messages / but i can see that this may be too difficult for yu to hush & menage . / I will pass by yr house so yu can observe my passages / but i can't tell yu when and it won't be verra often / will come in when yu are not there to check yr vines & telephones / and how the lectric wiring has been compromise & mash- / up around yr earthly omens / These things are poison friends and are prepared from serpents / and the savage acid of yr belly fire / . it wd have been so better if people had continued w/the nuse / of sage & cyandles & some turpentine". The first letter of the first stanza is enlarged. The font is specialized. The text has occasional alternative spellings. The text of the first stanza reads: "Before yu leave I will give yu these dry leaves / an terremites to take . also some sassafras & thyme fe supplicate / but please remember that I cannot be yr friend / I have no hand fe yu to hold or handle on. I am the only yr Companion Stranger / And altho yu must to lissen carefully to all the things that i discuss / to you . yu muss not truss me".</span data-srcset=The text of the next stanza reads "nvr." The text is bolded.The text of the next stanza reads: "Yu will wear this ermine fita on yr wrist. and this white lèkè / round yr twisted waist- / line as if yuo was a womans".The text of the next stanza reads: ". I cannot be surVivor of yr poems .". The ‘v’ in ‘survivor’ is enlarged and bolded.” width=”1024″ height=”675″ /> A pixelated image of a complex symbol, followed by the text "<rev 3 june 2014 . . 'wine of astonishment' is the title of a spirit-novel by the Trini author Earl Lovelace".

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Headshot of Kamau Brathwaite

Edward Kamau Brathwaite (1930–2020) was a Caribbean writer and critic who wrote on the experience of black cultural life throughout the worldwide African diaspora. Born in Bridgetown, Barbados, Brathwaite was educated in Barbados and England and received numerous awards for his poetry and cultural studies, including both Guggenheim and Fulbright Fellowships. He was a professor of Comparative Literature at New York University starting in 1992 and was awarded an Honorary Doctorate from the University of Sussex in 2002.

Equinox is an unforgettable and never-before-published masterwork completed by Kamau Brathwaite before his death in 2020. Written in his unique Sycorax typeface and replete with compelling images and photographs, Equinox contains poems written in Brathwaite’s singular Barbadian vernacular and visionary style—poems about the Middle Passage, the natural world, Billie Holiday, Whitney Houston, the Kumina dance in Jamaica, Nelson and Winnie Mandela, the Fukushima nuclear disaster in Japan, and Breughel’s painting “Landscape with the Fall of Icarus,” among many tidalectic topics. The lyrical poems in Equinox weave together history and culture with the imagery of Brathwaite’s native Barbados, weaving a lush tapestry of injustice, redemption, and hope.

"Kamau Brathwaite is one of the most important poets in the Western Hemisphere. A musicianly sensibility of sharp political reference."
—Amiri Baraka

"To read Kamau Brathwaite is to enter into an entire world of human and natural histories, beautiful landscapes and their destruction, children’s street songs, high lyricism, court documents, personal letters, literary criticism, sacred rites, eroticism and violence, the dead and the undead, confession and reportage."
—2006 Griffin Poetry Prize Citation

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