My Mother Sings of How She Got Her Education

Keith Jarrett

at the cross, she catch wise,like the cedars of Lebanonand speak King James English           good goodhow you mean seh you cyaan understan?Him whom have hears to earmek him earand he whom cyaan ear mus feelBabylon throne mus fallBlessed is the old time religionit was good for Paul and Silasit was good for Snoop and Stormzyit was good for Chance the Rapperit was good for my mothergood for my fatherso it’s good enough for me.

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Naomi Woddis

Keith Jarrett’s poetry, fiction and essays have been widely anthologised. His work explores Caribbean-British identity, religion and sexuality. A multiple slam champion, he teaches at NYU London and holds a PhD from Birkbeck, University of London. His collection Hide Me Under the Blood and I Shall Be Satisfied (Bad Betty) was a PBS spring recommendation and is shortlisted for the Forward Prize 2026; his debut novel is forthcoming.

“Keith Jarrett is one of London’s most radiantly living bards, the embodied poet as storyteller, historian and one-man archive. In Hide Me Under the Blood and I Shall Be Satisfied, Jarrett channels a voice and a chant of 'the undocumented history of this Empire' where spirits, saints and literary ancestors are summoned to carnivals and holy communions. There is much defiance, queering and inquiry in these poems, a 'reckoning with sorrow' as only a poet can put it. As well as formal inventiveness, there is playful bilingual lyricism and humour. I love this poet. He is important. To know why, you must hear his hymns.”
—Raymond Antrobus

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