Ofrendas

Karen Kovacik

On el Día de los Muertosyou crept into the cellfor your mammogramwhere a skeleton in gray wigspun the wheel, pressingyour nipple between cold plates,the walls red as hibiscus,red as transfusions, and soonthe surgeons danced around youwith clicking knives, your breastmarked with black grease:Cut along the dotted line—your breast a dartboard, lushpapaya packed with yellow fat,and while you lay on the table,your gown dotted with poppies,the doctors installed drainsover your corazón sagradoand threw the old breast in a bucketfor someone to steal like a relicand display in a roadside shrinepainted river blue, agave green,serenaded by skeletonsplucking guitars, whisperedabout by pilgrims afraid of the dark,lit by candles of Saint Judewith glowing coins over his heart.Mi amiga, you have no grave,they burned your scarred body,your piano clanged down the stairswithout you, and your paintingsshed petals like lágrimasin the dark: bluish garlic,purple coneflower, and the hot pinkzinnias that once lit your night.

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Headshot of Karen Kovacik

Karen Kovacik is a poet and translator of contemporary Polish poetry. She’s the editor of Scattering the Dark, an anthology of Polish women poets (White Pine, 2016), and the author of three collections of poetry, most recently, Portable City (Hanging Loose Press, 2025). Her poems and translations have appeared in such journals as American Poetry Review, Boston Review, Georgia Review, Granta, Poetry, Southern Review, and World Literature Today.

Portable City is primarily a travelogue composed of introspections on movement through both the physical world and nonlinear timelines. Introducing the concrete and the abstract to one another, it is an endeavor of braided language, some edges sharp and others softened. In its meditations, the collection builds dialogue between image and narrative, between the tangible and the intangible, and between the world at large and its most attentive observers.

“Such large, attentive and solacing poems—whimsical, deeply felt, learned, wisely political, shot through with grief. And hope regardless. Their backdrop is the world. These are inventions, meditations really, of the highest order….”
—Marianne Boruch

“Portable City is a dream of a journey. Kovacik…takes us to Warsaw but just as nimbly into the Brothers Grimm. With generous curiosity, she documents life’s transient beauty in this wondrous travelogue that moves as easily through time as space.”
—Jesse Lee Kercheval

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