Ouroboros

Isabelle Baafi

                                           The chatroom is a children’s sandbox                                           pulsating with snakes. Every now                                       and then the graphics spasm, sparkles                                    flashing us. Messages poke out                                  from the hem of the screen.                                  Some thirsts should not be quenched.                                     But here, at least, my 14/f/ldn is everything.                                       I type him back to mine most days,                                          my school skirt flung across a chair,                                        the pleats lacklustre too, puzzling                                       algebraic all the ways I am divided:                                     if x is a secret camgirl, what is her value?                                  Does x even know who x is?                                  If she does, why doesn’t she reveal herself?                                      Why is she always revealing herself?                                        My panties peeling off like scabs,                                            the flesh beneath still tender, pink,                                            naively soft in a world that chafes.                                         I can’t not do this.                                      Hunger made me; carved me in its image:                                  hands with which to touch, touch,                                  and a tongue to taste, and a belly—                                     his—in which to bury myself.                                       Hunger made me do it: seasoning                                         my pubescent veal, my fatty flesh                                         and oil-brushed hips, my raw hide                                       marinated in red lace and violet glitter,                                     the skin around my eyebrows                                  sore and bumpy, freshly tweezed.                                          I once heard a woman say                                          An apple chooses where it falls but not who eats it.                                        But why would the apple care?                                      The only purpose of an apple is to be eaten.                                  And the body that doesn’t eat                                      for long enough will eat itself. It learns                                        to gather strength from its self-destruction.                                          Swallow me and I’ll fill you up                                          and imagine that fullness is mine.                                     Tell me to suck my thumb like a child,                                   and I’ll tell you how I taste.                                  The final spasm fades. Eyes open.                                  She sees nakedness. Her own.                                     She covers herself, closes the chat.                                     But because of the delay, she’s still there—                                          filling his screen like a doe in an unhinged jaw.                                          Even now, years later, I sometimes feel like                                     I’m being watched. I tell my friends.                                   They say it’s the Holy Spirit.                                  Even now, sometimes, I google myself                                  and scroll through pages of headshots,                                     holiday smiles, achievements since,                                       my belly gnawing, wondering if this time                                          I’ll see a picture of a girl who looks like me,                                          in my old room, on the same mattress                                       I wet when I was three, leaning against a wall                                     once coloured with crayon and rainbow stickers.                                  A girl as black and void as pupils,                                  wanting anything to enter, settling for light.

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Joladé Olusanya

ISABELLE BAAFI’s writing has been published in the Times Literary Supplement, The Poetry Review, The London Magazine, Aesthetica Magazine, Oxford Poetry, and elsewhere. Her debut poetry collection, Chaotic Good (2025), published by Wesleyan in the U.S. and Faber in the U.K., is currently shortlisted for the Jerwood Prize for Best First Poetry Collection.Her pamphlet Ripe (2020) won a Somerset Maugham Award and was a Poetry Book Society Pamphlet Choice. She is the Reviews Editor at Poetry London, a Ledbury Poetry Critic, an Obsidian Foundation Fellow, and an editor at Magma.

Chaotic Good
Wesleyan University Press

Middletown, Connecticut

Wesleyan University

A piercing debut about how we are made, how we get lost and how we find new selves.

Framed by the story of escape from a toxic marriage, Chaotic Good focuses on the incremental ways in which power accumulates, shifts and is relinquished within both home and community. Incisive, rigorous and artful, Isabelle Baafi reminds us of the importance of self-determination, and how, when we feel most eroded, we might discover what we need deep within ourselves: ‘This time and every time, I was the code I needed to find my way back.’

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