Poets of Shenzhen

Rodrigo Toscano

Good morning poets of Shenzhen!whoever you are (we’ve no clue).In Cantonese or Mandarinwe’d send you a giant bonjourfrom New Orleans—such as we areflighty at times, but with stout hearts.We ponder the start of your daythe things you do, would like to dohow it all sorts out (or doesn’t)what the glow of your deeds feels like.Here, we’re bodily in pause mode,sluggish Louisiana mud.The wage floor’s—$7.25folks grind all day, yet barely thrive.We’re even told Russia’s to blameif you can believe that (we don’t).Poets of Shenzhen! What’s shakin?are you hosting readings tonight?at a school? at a library?We’re fond of bars, gardens, sidewalksWe’re a boisterous bunch, but we’re true!we work with the mess given us.We’re often mired in foreign warswe’re coming apart by the hour.Anyway, what’s up with Hong Kong?the scene there, just minutes away.Baton Rouge, our state capitalcan’t be accessed by high-speed railTalk of rails—is 30 years old!Homeless tents populate our streetsStill, though, poets from Baton Rougehappily find their way to us.Which of your poets reads tonight?What’s the latest styles? What’s the vibe?We flaunt (let’s see) maybe 90yeah, 90 styles, 60 poets.Poets of Shenzhen! City sleuthswe’re keen to know your best secretsWe’re keen to be asked to read there!Plane fare, a bed, some translatorsI’m a veggie, requiring beerMy colleague, Henry—is veg tooSean—like a yue ren, eats it allWe might not be the best of fitsStill, we’re a striving bunch, fired upwe work with the mess given us.Poets of Shenzhen! Esteemed peersYou’re most welcome in New OrleansThough we’ve no Bureau of Cultureno way to arrange a banquetStill, these broken links, these intentsare the stuff of our poetics.

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Color image of Rodrigo Toscano

Rodrigo Toscano is a poet based in New Orleans. He is the author of thirteen books of poetry. His latest books are WHITMAN. CANNONBALL. PUEBLA (Omnidawn, 2025, National Poetry Series finalist, NYPL best books of 2025). The Cut Point (Counterpath, 2023), The Charm & The Dread (Fence, 2022). Forthcoming is Salvage Nation: 100 Sonnets (Winter Editions, November 2026). His Collapsible Poetics Theater was a 2008 National Poetry Series selection. He works for the Labor Institute in conjunction with the United Steelworkers. He has been on the board of the New Orleans Poetry Festival since 2015. rodrigotoscano.com

This four-part collection of poetic fables engages the emerging field of global-poetics through Hispano-Americano lenses. Amid global crises between states, and cultural destabilization manifesting across mass popular culture and literature, WHITMAN. CANNONBALL. PUEBLA. sets out to invigorate conversation about how the United States might adapt to a wider hemispheric consciousness. Toscano’s poems present a cultural landscape where the Anglo-capitalist outlook is tempered—if not subsumed—by a Greater Americas “Salamanca Humanism,” which was the basis for the 1948 United Nations Universal Declaration of Human Rights.

The book is divided into four sections that develop the idea of a Greater Americas as hinging on negotiation between Anglo and Hispano values, consider a potential catastrophic Anglo-American imperialism, imagine life in a Post-Empire crisis, and compose allegories about the historical consciousness of a people oversaturated with media.

"A geo-politic, an untamed poetics of transnational realignment, or an overloaded composter of 'ethno-politico GPS' signals towards a new mytho-poetic of the Americas. Here's a poetics built out of economic flows, of multilingual contradictions, of neo or just OG-colonial hustles. A new world symphony for our utterly disoriented century, wildly satirical and utterly serious, taking us all down, especially 'us,' the poets, the academics, the 'culture workers,' struggling to keep up with the changing world order. Forget about it! If you thought you knew what poetry 'does,' you were wrong. And now, even better, you still don't know, because that's what the prophetic feels like."
—Julie Carr

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