hand is full wading searchingthe edge of summer is there a rosebeyond the rice fields a birthmarkhovers above the neighbourhood etchedin bauxite dust boys behind takeawaysrework playlists as the plant destroys usbut my hand is full of words likegrass perforating the old latticeleave your eggs here in the helix of my earsafe in the ‘world-class banking scheme’raipur is where the earth’s warmth is hatchedthis hand is full of other hands colourscracking the dense world distorting theclearing when i say clearing i say maoistsat the bus stop saying yes to the hill mynaclearing the thick august morning pulling outold samples and hits as the ‘export quality’teak wood around it shivers tired &often leaving but at least the hand is fullmy song says no keeping a secret that changes cloudsin a grove of scared interfaith lovers scattering the messageof haze day’s first light wedged in a spider’s web the househas four hands one of which is always repairing anotherrattling on the roof offers gifts to passing sparrowsa flatbed truck transporting loudspeakers to a political rallycrosses the street blasting from it my song says no bambooscaffolds tearing construction tarps like piercings oncows the tailor who won the urdu academy poetry awardlets neighbours loiter in his shop as he sewsa new button on my school shirt swarm of mosquitoescover yesterday’s dead mango seed in a wetdreamof extraction to the surplus time my song says nothe devotee looks up & cuts the river with a coina small surcharge for raipur’s slowness where a newcoal block cannot die within the land & dusk crudeas cash circulates in the skies raiding softeningthe first-person lyric blow my song says no
Raipur (excerpt)
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Excerpt of “Raipur” from GLITCHWORK: by Mantra Mukim.
Published by the87press on April 16, 2026.
Copyright © 2026 by Mantra Mukim.
All rights reserved.
Reproduced by Poetry Daily with permission.
Mantra Mukim is a poet and essayist from Raipur, India, currently based in Oxford. Glitchwork (the87 press: 2026) is his debut collection. More about his work here.
Glitchwork tracks the uneven lineages of Central India, building on modernist legacies and reckoning with the spectres of the 1984 Bhopal disaster. Mantra Mukim’s debut poetry collection is situated in a timeless, forested grid, poised on the verge of industrial erasure. This grid, a restless site of extraction and production, also brims with potential for lushness, fey ambience, and petite clearings.
Its three long poems consist of fragments on a mysterious Cold War ‘plant’, remixes of Surdas (the medieval-Braj poet), notes on palaeolithic hands, philology of the line, anomalies in a lunar-roving vehicle, and the origin myths of Raipur.
"Glitchwork remains endemic with haunting, with magical apostrophe, that weaves itself, with an intrinsic temperature that seems to dis-incline itself, powerfully in-scripting itself by means of seeming poetic ejecta baring insight by living lingual minimum."
—Will Alexander
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