Seagull

Monica Ong

“It is I, Seagull.” —Valentina Tereshkova, first woman in space.

It is I, Seagull
It is I, dawn and wing

It is I, dissolving into We
who refuse to let each other go

Eyes dead center in the storm
Eyes open

Eyes not looking away
Up here the view is blue crystalline

vivid as your child’s breath upon the face
High above the low white squall

Our earth’s arc looks back
asks if the eyes can hold more

than old fictions in
I / black and white / I

you / fire and exile / you
with or against

On the edge
of the breath’s resistance: Lift.

Life’s bodies in bloom
Bright spectra of colors

rise up in trajectories wider than
these tiny histories

Your flight lets them know
what they didn’t know

someone like you could do
My grandmother lived

in a world she could not read
not realizing that it takes

a lifetime to understand
the language of her hands

that my books have no translation for

hopes battered & boiled in hot chili oil

that while code is binary
our wholeness cannot be

confined to the poverty of numbers
and small talk about the weather

as a means for safety
of staying out of sight

What names do you carry with you
in the slow skyward burn

What forces push up against
your mettle and shine

Today vs. the downward pull
Today vs. another body into the ground

Today vs. legacy marred
by man’s mistakes

To what devotion do you circle
with the lens of each year

Who do you tend to with the pine air
passing through the day lung

What do you release without regret
from the night’s ghost lung?

Our maps blood drawn
point us far beyond the orange haze

of sun-collapsed empires
Daughter diaspora

Son of samaya
This is your time

to be seen
to be seen

to be seen
to be seen

Companion visual poem. The text of the poem is arranged in the shape of a rocket ship, with rows of birds flying around it. A black-and-white image in the middle depicts a baby in a wheeled baby walker.

Feature Date

Series

Selected By

Share This Poem

Print This Poem

Headshot of Monica Ong
Photo:
Matthew Fried

Monica Ong is a visual poet and the author of Silent Anatomies (Kore Press, 2015). A graduate of the Rhode Island School of Design, Ong brings a designer’s eye to experimental writing with her hybrid image-poems and installations that surface hidden narratives of women and diaspora. Her poetry can be found in Scientific American, ctrl+v, and Poetry Magazine, and in the anthology A Mouth Holds Many Things: A De-Canon Hybrid-Literary Collection (Fonograf Editions, 2024).

Ong’s most recent series of astronomy-inspired visual poetry was exhibited at the Poetry Foundation and is the basis of her new book Planetaria (Proxima Vera, 2025). You can find her fine press visual poetry editions and literary art objects in over sixty distinguished institutional collections worldwide. In 2024, Ong was named a United States Artists Fellow.

Rewriting the sky from a female perspective, Monica Ong invites readers into the intimate cosmology of Planetaria, utilizing the visual language of astronomy to explore the precarious territories of motherhood, women in science, and diaspora identity. This collection examines the power struggles that myth-making elicits through the alchemy of text and image hybrids.

"Planetaria by Monica Ong is a one-of-a-kind collection of visual poetry. Every page is a kind of experiment between the visual and language, as if to say that the medium in which language constellates is just as dynamic as language itself, and that the medium unleashes the power of language. The themes in Planetaria are many—from motherhood to science to diaspora to arguments about transcending restrictive traditions. These pieces are ultimately invitations to listen in on the constellations speaking to each other and the ricocheting with language. Ong is boldly pushing forward into the night sky, and we’re pulled forward with her, into a cosmic incantation.”
—Victoria Chang, author of With My Back to the World

Poetry Daily Depends on You

With your support, we make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.