My secrets are snowBehind the big windowsThe moment it falls the voyage beginsEverything muted and whiteVoyage to fathom the criesVoyage to God who kept abandoning usOnce I wore my red bootsI brought a candle to the grave of GodOn my return my grandmother kissed me on the foreheadI knew it was time for a red fairy taleTo traverse the dark chambersTo reach the truthThe tales would come to our houseI saw the heroes sleepingIf only I could give them my multicolored pillowThe night of the heavy snowMy room filled with butterflies and water liliesTill morning I sat with them in gardensSnow all daySnow all nightThe next day the words of the sparrows were snowThe hearts of the doves became snowI didn’t find them to feed themThe neighborhood children were snow fightingSnow covered the doors of the housesThe children’s hands froze and were coveredThe neighbor says the snow of the mountain is warmIt heals her painsThe snow was the hyacinth’s secretPeople left for the mountainFor the women of the town the Shadas were forbiddenThey gave them to treesThe trees made shade for the PeshmergasThe snow was a mother, it knew about everyoneIt carried unbearable painIt fell from everyone’s eyesEverywhere filled with snowHow did the snow manage to remain in loveWith so many of its white songs?The snow came and leftThe people of the city lived in painThe streets didn’t want the women anymoreIn one night the people grew oldThe snow was not enoughTo cover the blood of the womenThe blood of the virginsThe city did not know what to do with their corpsesEven the stones and the earth were driven to leaveThe voyage of the angelsThe voyage of the snowThe stories of my grandfather were snowIt falls ceaselesslyWhite, whiteLife instead of genocideThe snow is a big soulThe snow is generousEverything has become whiteThe snow has a soft heartIt covers the bloodstained city
Secrets of the Snow
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“Secrets of the Snow” from SECRETS OF THE SNOW: by Hiva Panahi.
Published by Hard Ball Press on July 26, 2016.
Copyright © 2016 by Hiva Panahi.
All rights reserved.
Reproduced by Poetry Daily with permission.
Dr. Hiva Panahi was born in Sanandaj, Iran. A prominent voice in Kurdish literature and philosophy, she received the Mitterrand & Andreas Margarita Papandreou Foundation Award in 2000. She holds a PhD in Political Sociology from Panteion University in Greece, where her research focused on the concept of Promethean Man and political systems. As a writer and poet, Dr. Panahi has received international recognition for her contributions to Kurdish and classical studies, skillfully combining classical and modern themes in her work. Her poetry has been included in several anthologies, including Austerity Measures: The New Greek Poetry (New York Review Books, 2017), edited by Karen Van Dyke. The philosopher Beaton of Great Britain described her work in his recent book as evidence of the timeless literary heritage of other nations within the Greek tradition. Her poetry collection Secrets of Snow was first published in Kurdish in 2001, later self-translated into Greek in 2008 and into English in 2016. In 2024, a selection of her three poetry collections, entitled “Poetry of Light,” was translated from English into Bengali by poet Dr. Rudra Kinsook and published by Bhashalipi Publishing House. As a woman writer she experienced persecution first in Iran when she was 16 years old, and later endured prolonged persecution by a group of extremist Greeks between 2011 and 2022. She left the country and is currently based in Switzerland.
Fayetteville, Arkansas
University of Arkansas
Sleeping in the Courtyard brings together historically isolated writers in community—and invites readers to join them around the table to share in their memories, secrets, tears, and joys. Featuring poetry, fiction, nonfiction, and graphic work by emerging and well-established writers, this collection shines a light on works by a diverse group of contemporary Kurdish women and nonbinary writers living in Kurdistan and in diaspora.
“As a Palestinian American writer, I have long searched for reflections of my own fragmented lineage—this anthology gave me that and more. Sleeping in the Courtyard is more than an anthology—it is a reclamation. At once fierce and tender, the collection defies monolithic portrayals of Kurdish identity and instead renders a chorus of nuance, complexity, and lived truth. From the ruins of Halabja to the rooftops of Baghdad, from the quiet defiance of translation to the unbreakable thread of community, this anthology is a testament to the power of writing as cultural survival—and as revolutionary act. Curated with deep care and transnational breadth, Sleeping in the Courtyard invites readers into a space of shared breath, radical empathy, and collective remembrance. It is a door flung open. A night under the stars. A home built from story. This is not just a collection—it’s a homecoming, a collective heartbeat, a defiant archive of what refuses to be erased.”
—Etaf Rum, author of Evil Eye
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