Siblings

Shin Hae-uk
Translated from the Korean by Spencer Lee-Lenfield

I left behind my little sister there and woke alone.Like an herbivore’s dreamthe berries on the tree gaped open,and my bated breath hungamong gelid specks of oxygen.It was cold.*We have to move house;but she has to drink milk for sturdy bonesand bury her dead doll.                    *If my eyes were green, how much grass would there have been?If her teeth were sharp, how would the blood have smelled?                    *I’m buying a cactusso I can packwithout her;to stop the plants around herfrom drawing any closer,I clutch her dolly’s hands instead.

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Shin Hae-uk has published five volumes of poetry, including Biologicity (2009), syzygy (2014), and most recently, Natural History at the Edge of the Natural (2024). Her other writing includes three volumes of essays and a novel, The Dream Reader Electrical Shop. She won Korea’s Author’s Choice Emerging Poet Award in 2010 and received the Kim Hyun Literary Prize in 2022. Shin holds a doctorate in Korean literature from Korea University and currently teaches creative writing at Dongduk Women’s University in Seoul.

Spencer Lee-Lenfield translates from Korean to English, including Shin Hae-uk’s Biologicity (2024), with other translations in journals including Kenyon Review, Asymptote, New England Review, Poetry Northwest, and Guernica. Lee-Lenfield is an assistant professor in the Department of Comparative Literature at Harvard University. 

An acclaimed “poet’s poet” with deadpan wit and a gift for lyric innovation reveals an entirely new side of Korean contemporary poetry.

This debut English-language collection by Shin Hae-uk offers up poems that rebel against the thin boundaries between self and others, human and object, speaker and addressee. These poems inhabit the voices of houses, colors, planets, childhood friends; they know the manic spunk of a good day and the dizzy lethargy of a bad memory. 

In this kaleidoscopic collection, Shin breaks open for today’s young poets the possibilities of time, tense, and speaker. Critics in her home country praise her as a prophet of the post-human, asking what is it like to exist and feel—as a dead animal, as a sound, as someone else’s memory. But for all its philosophical intelligence, Shin’s poetry is also funny, friendly, and sometimes even snarky, full of jagged left turns and mood changes. Shin knows what it’s like to feel you can be three different people within three minutes. These quirky, clever poems are for everyone who has ever shared that feeling.

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