Sleeping with My Father

Zhang Zhihao
Translated from the Chinese by Yuemin He

The night was so dark. We held vigils near the metal woklike two chopsticks that Mother did not get to washno longer able to pick up any foodWhen a person departs, how much does the person take awayI calculate the particles on my stomach liningthe big ones are called pain, so are the small onesAt noon, we buried the biggest potato in the worldFrom then on, there would be no more naggingWhat she said has already become leaf buds, the hoe she used isrusty, and the fire she had builtalready extinguished. When I reignited the fire, hands trembling, italready moved from the stove to the incense altarThere will be no one to sleep so close to youIn such a dark and vast country night, you will never sleepas deeply as you used to. We kept up the vigil till early morningI said, father, let me lie down with you one more timeAt these words, I fell down into the placeyou freed up for meI carefully caressed your big scrawny footfrom the toe upward, to your ankle and then kneeonly to return to my own chestThere, my heart beat quicker and quicker. I heardbarking outside the window, as if the dog recognized hersulkily, mournfully, it sniffedCaught in the world’s rutI stretched my trembling hands toward you, only to realizeyou were already sitting up against the headboard. So many dark apparitionsglided past the plastic film-covered windowyet no more what’s familiar to you but strange to methe sound of wok scraping 与父亲同眠夜晚如此漆黑。我们守在这口铁锅中像还没有来得及被母亲洗干净的两支筷子再也夹不起任何食物一个人走了,究竟能带走多少?我细算着黏附在胃壁里的粉末大的叫痛苦,小的依旧是中午时分,我们埋葬了世上最大的那颗土豆从此,再也不会有人来唠叨了她说过的话已变成了叶芽,她用过的锄头已经生锈,还有她生过的火灭了,当我哆嗦着再次点燃,火已经从灶膛里转移到了香案上再也不会有人挨你这么近睡觉了在漆黑而广阔的乡村夜色中,再也不会睡得那么沉。我们坚持到了凌晨我说父亲,让我再陪你一觉吧话音刚落,就倒在了你腾给我的空白中我小心触摸着你瘦骨嶙峋的大脚从你的脚趾上移,依次是你的脚踝和膝盖最后又返回到自己的胸口那里,一颗心越跳越快,我听见狗在窗外狂叫,接着好像认出了来人悻悻地,哀鸣着,嗅着她无力拔出人世的脚窝我又一次颤抖着将手伸向你,却发现你已经披衣坐在床头。多少漆黑的斑块从蒙着塑料薄膜的窗口一晃而过再也没有你熟悉的,再也没有我陌生的刮锅底的声音

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Born in Jingmen, Hubei province, in 1965, poet Zhang Zhihao graduated from college in the 1980s with a history degree. Zhang always loved writing, and even though he was quite successful with fiction writing, popping out novels one after another, he found poetry his calling. He has published ten poetry collections, including Burdened by Praise (2006), Broad (2013), Wild Flowers on the Plateau (2017), To the Tune of Spring (2023), and most recently Accompanied the Yangtze River for a Journey (2025). He is known for reinvigorating poetics of the everyday, which he articulates as “whatever the eye sees is poetry.” Winner of many prestigious poetry awards, such as the People’s Literature Prize, the Chinese Literature Media Award for Poetry, the annual Chen Zi’ang Poetry Award, the October Prize, and the Luxun Literary Prize for Poetry (Chinese equivalent of the Pulitzer Prize), Zhang is also author of several essay collections, most recently Let’s Read Poetry Under the Yellow Crane Tower《不如读诗》(2023) and Pass It on to Future Generations《传告后代人》(2024). Currently, he is executive editor of Chinese Poetry, a quarterly poetry magazine in Wuhan, China, and vice president of the Hubei Writers Association.

Yuemin He has written on Asian American literature, Buddhist American literature, East Asian literature and visual art, composition pedagogy, and translation studies. Her essays appear in The Emergence of Buddhist American Literature (SUNY), Religion and the Arts (BostonCollege), Teaching Asian North American Texts (MLA), etc. Her poetry and translations have been anthologized or published in more than thirty literary magazines and journals, including Rattle, Copper Nickel, and The Southern Review. Her first book of poetry translations, I’ve Seen the Yellow Crane, was published in 2024 (Foreign Languages Press). She is the 2025 recipient of The Jules Chametzky Translation Prize from The Massachusetts Review. Her work was also longlisted for Best Literary Translations 2026 anthology by Deep Vellum. Currently she is an English professor at Northern Virginia Community College. 

I've Seen the Yellow Crane
Foreign Language Press

China

Featuring 183 poems, selected mainly from Wild Flowers on the Plateau and The Everlasting Potby contemporary Chinese poet Zhang Zhihao, I Have Seen the Yellow Crane showcases the poet’s remarkable ability to stay close with daily life. It unravels the subtlest meanings from trivial happenings in the streets and alleys and the natural world, and then conveys them in an extraordinary poetic language. 

This book transforms quotidian realities into poetic subject matter, vivid images, and highly relatable spiritual feelings. Ultimately, it offers the readers a vicarious experience of sizzling youth, the wide Jiang Han Plain, capacious ability to embrace the multitudes, and relay of valuable human traditions. Emanating a tender feeling for the city of Wuhan and its suburban neighborhoods, palpable passionate love of the Yangtze River as home and hearth, and generous kindness to friends nearby and afar, this book is a city in and of itself, words its bricks and love its mortar.

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