A young woman was pleasuring herselfon a pine tree that had fallen acrossthe narrow river where I went to fish,straddling the trunk, her feet just breakingthe water, her body leaning forwardwith hands pressed into the bark.White shorts rode up her thighs and bunchedat her crotch as she settled into an uneven rhythm.I thought of love, and you, my love.But here, now, I see it—watching her ride the tree,lifting one hand and then the other to waveat the sky like a conductor, this quiet expression of pleasure,this face of surprise. Strange angel—no matter how much she rocked herselfshe would not loosen the tree from its resting place,she would not set forth down the river,drifting somewhere new, somewhere east of here.
Summer
Kellam Ayres
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“Summer” from In the Cathedral of My Undoing: by Kellam Ayres.
Published by Gunpowder Press February 5, 2025.
Copyright © 2025 by Kellam Ayres.
All rights reserved.
Reproduced by Poetry Daily with permission.
Kellam Ayres’s debut poetry collection, In the Cathedral of My Undoing (Gunpowder Press, 2024), was chosen by Gary Soto as the winner of the Barry Spacks Poetry Prize and was a finalist for the 2024 New England Book Awards and the 2024 Vermont Book Awards. Her poems have appeared in New England Review, Ploughshares, Guernica, Ninth Letter, and elsewhere. She works for the Middlebury College Library and lives with her family in Vermont.
Santa Barbara, California
In the Cathedral of My Undoing, by Kellam Ayres, was selected by Gary Soto for the Barry Spacks Poetry Prize.
"Is this smalltown America? A place where the air doesn’t move, love is thin, beer fails nightly to do its trick, and hope rides a cloud to the edge of town, then disappears? These poems are located further east than Sherwood Anderson’s Winesburg, Ohio, but they offer the same story of lives where the dramas are small, their significance large, the outcome of disappointments seemingly permanent. Here is art, here is truth, poems as portraits." —Gary Soto, final judge, Barry Spacks Poetry Prize
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